Approaching the invisible centre
Middle-class identity and documentary film
in Watching the world
Abstract only
Log-in for full text

This chapter delineates how middle-class identity has shaped discussions on film and documentary. Middle-class characters and concerns are repeatedly represented in popular film—both fiction and documentary. But the critical tools with which to approach the classed nature of such portrayals need to be refined and developed. The same is true of class-sensitive perspectives on the media industries and media audiences. Some ways have been demonstrated in which screen representations of middle-class characters can be examined precisely as classed, rather than as simply neutral or taken for granted. The classed nature of such portrayals, the exact characteristics ascribed to the middle class, and the invitations made to a middle-class viewer are perhaps most readily available for analysis in films that stage meetings between members of the middle and working classes. The chapter is intended to act as a spur towards more critical thinking about class, in all its manifestations and complexities, within film and media studies.

Watching the world

Screen documentary and audiences

Metrics

All Time Past Year Past 30 Days
Abstract Views 68 16 4
Full Text Views 20 0 0
PDF Downloads 14 0 0