Bryony Bartlett-Rawlings The Courtauld Institute of Art

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The Tombs Which Stood Almost out of Sight of Visitors are Now Seen by Anyone who Wishes: Marcantonio‘s Lion Hunt and the Study of Antique Sculpture
in Bulletin of the John Rylands Library
DOI:
https://doi.org/10.7227/BJRL.92.2.11
Number:
Volume 92: Issue 2
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What was the process by which an antiquity found on the streets of Rome became the subject of a Renaissance engraving? How did engraving preserve the memory of such antiquities as they vanished into the homes of private collectors, were plundered or destroyed? This article focuses on Marcantonio Raimondis Lion Hunt to explore the relationship between ancient sculpture and the medium of print in Raphaels Rome.

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