How to Write a Horror Film: The Awakening (2011) and Development Practices in the British Film Industry

in Film Studies
Abstract only
Get Access to Full Text

Individual article purchase

Individual articles are available for purchase via Reprints Desk, click below for more information

Reprints Desk

 

Have an Access Token?

You can redeem an access token by logging in through the link below

Redeem token

 

Have Institutional Access?

Access content through your institution. Any other coaching guidance?

Connect via institution

This article reveals how screenwriter Stephen Volk‘s idea for a sequel to The Innocents (1961, Jack Clayton) became, over the course of fifteen years, the British horror film The Awakening (2011, Nick Murphy). It examines practitioner interviews to reflect on creative labour in the British film industry, while also reorientating the analysis of British horror film to the practices of pre-production, specifically development. The research reveals that female protagonist Florence Cathcart was a major problem for the project and demonstrates how the Florence character changed throughout the development process. Repeatedly rewritten and ultimately restrained by successive male personnel, her character reveals persistent, problematic perceptions of gender in British horror filmmaking.

Information

Metrics

Metrics

All Time Past Year Past 30 Days
Abstract Views 35 35 16
Full Text Views 38 38 20
PDF Downloads 11 11 3

Related Content