Antonio Lázaro-Reboll University of Kent

Search for other papers by Antonio Lázaro-Reboll in
Google Scholar
PubMed
Close
Making Zines
Re-Reading European Trash Cinema (1988–98)
Abstract only
Log-in for full text

Discussion of the horror film fanzine culture of the 1980s and early 1990s has been dominated by an emphasis on questions around the politics of taste, considerations of subcultural capital and cultism in fan writing, and processes of cultural distinction and the circulation of forms of capital. Sconce‘s concept of paracinema has come to shape the conceptual approach to fanzines. The aim of this article is to refocus attention on other areas of fanzine production, providing a more nuanced and richer historicisation of these publications and the ways they contributed to the circulation, reception and consumption of European horror film. Focusing on the fanzine European Trash Cinema (1988–98) I propose a return to the actual cultural object – the printed zine – examining the networks of producers converging around, and writing about, Eurohorror films and related European trash cinematic forms, as well as the contents within the publication itself.

  • Collapse
  • Expand

All of MUP's digital content including Open Access books and journals is now available on manchesterhive.

 

All Time Past Year Past 30 Days
Abstract Views 593 203 9
Full Text Views 110 9 0
PDF Downloads 58 12 2