Jens Eder 1
View More View Less
  • 1 University of Hamburg
Ways of Being Close to Characters
in Film Studies
Abstract only
Log-in for full text

Film viewers responses to characters are of a great variety; global notions of ‘identification’, ‘empathy’, or ‘parasocial interaction’ are too reductive to capture their rich nuances. This paper contributes to current theoretical accounts by clarifying the intuitive notion of ‘being close’ to characters, drawing on social and cognitive psychology. Several kinds of closeness are distinguished: spatiotemporal proximity, understanding and perspective-taking, familiarity and similarity, PSI, and affective closeness. These ways of being close to characters interact in probabilistic ways, forming a system. Understanding its patterns might help us to more precisely analyze the varieties of character engagement, which is demonstrated by an analysis of David Fincher‘s Fight Club (1999).

All Time Past Year Past 30 Days
Abstract Views 580 200 22
Full Text Views 151 2 1
PDF Downloads 38 4 2