Volume 8 (2006): Issue 1 (Jun 2006)

in Film Studies

Online Publication Date:: Jun 2006

Editorial

By: Daniel Barratt and Jonathan Frome

Pages: v–ix
Contributors

Pages: xi–xiii
I General Models of Viewer Response
- The PECMA Flow
  
  A General Model of Visual Aesthetics
  
  By: Torben Grodal
  
  Pages: 1–11
- Representation, Reality, and Emotions Across Media
  
  By: Jonathan Frome
  
  Pages: 12–25
II Character Engagement: Empathy and Social Cognition
- Catching Characters Emotions
  
  Emotional Contagion Responses to Narrative Fiction Film
  
  By: Amy Coplan
  
  Pages: 26–38
- Tracing the Routes to Empathy
  
  Association, Simulation, or Appraisal?
  
  By: Daniel Barratt
  
  Pages: 39–52
- Characterization as Social Cognition in Welcome to the Dollhouse
  
  By: Michael Newman
  
  Pages: 53–67
- Ways of Being Close to Characters
  
  By: Jens Eder
  
  Pages: 68–80
III Specific Films and Specific Emotions
- Disgusted at the Movies
  
  By: Carl Plantinga
  
  Pages: 81–92
- Narrative Universals, Nationalism, and Sacrificial Terror
  
  From Nosferatu to Nazism
  
  By: Patrick Colm Hogan
  
  Pages: 93–105
- Repeat Viewings Revisited
  
  Emotions, Memory, and Memento
  
  By: Karen Renner
  
  Pages: 106–115
IV Film and Philosophy
- Imagination, Simulation, and Fiction
  
  By: Malcolm Turvey
  
  Pages: 116–125
- Film as Argument
  
  By: Thomas Wartenberg
  
  Pages: 126–137
Dossier
- Author Meets Critics
  
  Noël Carroll‘s Engaging the Moving Image
  
  Pages: 138–139
- My Dinner with Noël; or, Can We Forget the Medium?
  
  By: Murray Smith
  
  Pages: 140–148
- Naturalizing Hollywood?
  
  Against the Naturalistic Account of Filmic Communication
  
  By: Jinhee Choi
  
  Pages: 149–153
- Evaluating Film
  
  By: Cynthia Freeland
  
  Pages: 154–160
- Engaging Critics
  
  By: Noël Carroll
  
  Pages: 161–169
Book Reviews
- Reviews
  
  By: Edward Buscombe, Peter Hutchings, Paisley Livingston and Amy Sargeant
  
  Pages: 170–178

Film Studies

ISSN:: 20542496

Volume 8 (2006): Issue 1 (Jun 2006)

in Film Studies

Contents