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Volume 8 (2006): Issue 1 (Jun 2006)
in
Film Studies
Contents
Editorial
Contributors
I General Models of Viewer Response
The PECMA Flow
A General Model of Visual Aesthetics
Representation, Reality, and Emotions Across Media
II Character Engagement: Empathy and Social Cognition
Catching Characters Emotions
Emotional Contagion Responses to Narrative Fiction Film
Tracing the Routes to Empathy
Association, Simulation, or Appraisal?
Characterization as Social Cognition in Welcome to the Dollhouse
Ways of Being Close to Characters
III Specific Films and Specific Emotions
Disgusted at the Movies
Narrative Universals, Nationalism, and Sacrificial Terror
From Nosferatu to Nazism
Repeat Viewings Revisited
Emotions, Memory, and Memento
IV Film and Philosophy
Imagination, Simulation, and Fiction
Film as Argument
Dossier
Author Meets Critics
Noël Carroll‘s Engaging the Moving Image
My Dinner with Noël; or, Can We Forget the Medium?
Naturalizing Hollywood?
Against the Naturalistic Account of Filmic Communication
Evaluating Film
Engaging Critics
Book Reviews
Reviews
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