Jacqueline Furby1
View More View Less
  • 1 Southampton Solent University
Rhizomatic Time and Temporal Poetics in American Beauty
in Film Studies
Abstract only
Log-in for full text

This essay deals with the temporality of film through an examination of narrative, structure and image in Sam Mendes’ film American Beauty (2000), referring to both Gilles Deleuze and Henri Bergson‘s work on time. I argue that the repetition of formal elements (images, settings, colours, shapes, and textures) creates a kind of internal rhyme that is suggested appeals to human aesthetic rhythmic sensibilities and invites the spectators imaginative interplay. This temporal pattern speaks of a particularly human rhythmic design, and provides an escape from the ‘standardised, context free, homogeneous’ clock time ‘that structures and times our daily lives’.

All Time Past Year Past 30 Days
Abstract Views 238 68 9
Full Text Views 51 0 0
PDF Downloads 21 0 0