Wendy Everett University of Bath

Search for other papers by Wendy Everett in
Google Scholar
Remembering the Future
Terence Davies and the Paradoxes of Time
Abstract only
Log-in for full text

This article examines the paradoxes inherent in filmic time, with particular reference to the autobiographical work of the British director Terence Davies. Analysing ways in which film, itself constructed from still images, can create, reverse or freeze temporal flux, confuse and blend multiple and conflicting temporalities, and create the spatial dimensions of an ‘imaginary’ time, it argues that the relationship between film and music may well provide a fundamental key to the understanding of filmic time.

  • Collapse
  • Expand

All of MUP's digital content including Open Access books and journals is now available on manchesterhive.


All Time Past Year Past 30 Days
Abstract Views 431 163 2
Full Text Views 37 0 0
PDF Downloads 17 0 0