Gill Ballinger 1
View More View Less
  • 1 University of the West of England
Haunting the Law
Aspects of Gothic in Dickens‘s Fiction
in Gothic Studies
Abstract only
Log-in for full text

Individual article purchase

Individual articles are available for purchase via Reprints Desk, click below for more information

Reprints Desk

 

Have an Access Token?

You can redeem an access token by logging in through the link below

Redeem token

 

Have Institutional Access?

Access content through your institution by choosing the below option and using your institutional log-in.

Connect via institution

In recent years Dickens‘s use of Gothic has been the focus of some diverse and absorbing critical interpretations. This paper seeks to address in more detail the ways in which Gothic features in Dickens‘s various responses to the law in his work. Scenes of madness, hauntings and murder all feature as ways of punishing transgressive individuals in the form of melodramatic substitutes to state law in OliverTwist and Barnaby Rudge, and the Gothic affects justice in later novels such as LittleDorrit.,As Bleak House illustrates, the Gothic also enhances the horror of the law. Dickens employs the genre in different ways within specific texts, such as ThePickwick Papers. How the diverse uses of Gothic pertain to the law in Dickens‘s fiction are considered in this paper.

All Time Past Year Past 30 Days
Abstract Views 31 10 0
Full Text Views 24 1 0
PDF Downloads 11 3 1