David Punter1
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  • 1 University of Bristol
Reclaiming the Savage Night
in Gothic Studies
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This article approaches a range of contemporary Scottish fiction: Iain Banks‘s Complicity and A Song of Stone, Irvine Welsh‘s Filth, Michel Faber‘s Under the Skin, James Robertson‘s Joseph Knight, Alan Guthrie‘s Savage Night and selected stories from Alan Bissett‘s Scottish Gothic anthology, Damage Land. The theme the article traces is pity, whether seen in a national or historical context, or as part of a wider panoply of what one might think of as ‘Gothic emotions’. The main contention is that it is possible that we reduce the scope of Gothic when we think of it as merely conducing to terror; whether we think of the earliest Gothic novels or of contemporary writing, there are often other feelings being stirred, a wider range of sensibilities being explored.

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