Olivia Ferguson University of Edinburgh

Search for other papers by Olivia Ferguson in
Google Scholar
PubMed
Close
Venus in Chains: Slavery, Connoisseurship, and Masculinity in The Monk
Abstract only
Log-in for full text

This article considers the allusions to classical statuary in Matthew G. Lewis’s novel The Monk (1796) and his Journal of a West India Proprietor Kept during a Residence in the Island of Jamaica (1816). Drawing on John Barrell’s account of civic discourse on the fine arts after Shaftesbury, I explain and contextualise the centrality of the Venus de’ Medici statue to Lewis’s representations of male desire and male virtue. Images of Venus, both in The Monk and in the Journal, function as tests of civic virtue and articulate the conditions of Lewis’s entitlement to hold and govern slaves in Jamaica. Lewis’s colonial inheritance underpins the narratives of desire in The Monk, and inflects his authorship more generally.

  • Collapse
  • Expand

All of MUP's digital content including Open Access books and journals is now available on manchesterhive.

 

All Time Past Year Past 30 Days
Abstract Views 2197 1332 25
Full Text Views 94 8 0
PDF Downloads 64 8 0