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MANCHESTER UP
Volume 20 (2018): Issue 1-2 (Jan 2018)
in
Gothic Studies
Contents
Goth Beauty, Style and Sexuality: Neo-Traditional Femininity in Twenty-First-Century Subcultural Magazines
By:
Claire Nally
Pages: 1–28 (28 total)
Venus in Chains: Slavery, Connoisseurship, and Masculinity in
The Monk
By:
Olivia Ferguson
Pages: 29–43 (15 total)
Horace Walpole, Gothic Classicism, and the Aesthetics of Collection
By:
James Uden
Pages: 44–58 (15 total)
The Book in the House:
The Regnum Congo
and H. P. Lovecraft’s ‘The Picture in the House’
By:
Spencer J. Weinreich
Pages: 59–76 (18 total)
John Ajvide Lindqvist’s Little Star: Gothic Horror as Remediation of Video Nasties
By:
Sofia Wijkmark
Pages: 77–94 (18 total)
‘Let us wash the blood from your mouth’: Revolutionary Horror and Lycanthropy in Frederick Marryat’s
The Phantom Ship
By:
Matt Salyer
Pages: 95–110 (16 total)
Native American Gothic On Screen: Revising Gothic Conventions in Two Recent Indigenous-Centered Films
By:
Laura Beadling
Pages: 111–123 (13 total)
Ruby Lips and Whitby Jet:
Dracula
’s Language of Jewels
By:
Eleanor Dobson
Pages: 124–139 (16 total)
Colonial Syphiliphobia: Sexual Deviance and Disease in Richard Marsh’s
The Beetle
By:
Kristen J. Davis
Pages: 140–154 (15 total)
Reframing Radcliffe
Botany and Empiricism in
The Mysteries of Udolpho
By:
Rebecca Addicks-Salerno
Pages: 155–168 (14 total)
The Gothic Mode in Czech Postmodern Novels at the Turn of the Millennium
By:
Matěj Antoš
and
Petr Hrtánek
Pages: 169–183 (15 total)
The ‘Contagion’ of ‘Ridiculous Superstition’
Representations of Lower-Class Voices in Ann Radcliffe’s Novels
By:
Reema Barlaskar
Pages: 184–198 (15 total)
Gothic Noir
Jim Thompson’s
The Killer Inside Me
and the Crooked Game of Post-World War II America
By:
Jamie Brummer
Pages: 199–213 (15 total)
From Villa Diodati to Villa Gabrielli
A Manuscript Appendix to
Fantasmagoriana
By:
Fabio Camilletti
Pages: 214–226 (13 total)
Gothic Medicine
Murderous Midwives and Homicidal Obstetricians
By:
Diana Pérez Edelman
Pages: 227–243 (17 total)
Rethinking the New Woman in
Dracula
By:
Jordan Kistler
Pages: 244–256 (13 total)
Vampires in Halyna Pahutiak’s Contemporary Ukrainian Fiction
Biting into the Global Myth
By:
Svitlana Krys
Pages: 257–275 (19 total)
Tim Burton’s Pop-Victorian Gothic Aesthetic
By:
Chris Louttit
Pages: 276–294 (19 total)
Corridor Gothic
By:
Roger Luckhurst
Pages: 295–310 (16 total)
Chaos, Order, and Liminality
The Urban Gothic of
Fin-de-Siècle
London and Gotham City
By:
Erica McCrystal
Pages: 311–325 (15 total)
Blooming Marvel
The Garlic Flower in Bram Stoker’s Hermeneutic Garden
By:
Jemma Stewart
Pages: 326–345 (20 total)
Anxiety over Empire in John Palmer, Jun.’s
The Haunted Cavern
By:
Joel T. Terranova
Pages: 346–357 (12 total)
The Gothic Uncanny as Colonial Allegory in
The Island of Doctor Moreau
By:
Rebecca Weaver-Hightower
and
Rachel Piwarski
Pages: 358–372 (15 total)
The Cyril Graham Method of Gothic Criticism
By:
Anne Young
Pages: 373–381 (9 total)
Reviews
By:
Xavier Aldana Reyes
,
Harry M. Benshoff
,
Kevin Corstorphine
,
Alicia Edwards
,
Jack Fennell
,
Jonathan Greenaway
,
Ardel Haefele-Thomas
,
Emma Liggins
,
Paul Murray
,
Claire V. Nally
,
Sorcha Ní Fhlainn
,
Rocío Rødtjer
, and
Caleb Sivyer
Pages: 382–413 (32 total)
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