Paulina Palmer 1
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  • 1 University of Warwick
Lesbian Gothic
Genre, Transformation, Transgression
in Gothic Studies
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Palmer discusses Caeia March‘s Between The Worlds (1996) and Sarah Walter‘s Affinity (1999). Palmer argues that writers of lesbian fiction are drawn to the Gothic because it is a form which has traditionally given space to the representation of transgressive sexualities. The Gothic is also a vehicle through which the interrogation and problematising of mainstream versions of reality and so-called ‘normal’ values is made possible. Palmer argues that these novels parodically rework the grotesque portrayal of character, which is familiar from mainstream Gothic fiction and film, and in doing so they challenge and resignify the category of the abject to which lesbians and gay men are conventionally relegated.

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