Anne Williams 1
View More View Less
  • 1 University of Georgia
Horace in Italy
Discovering a Gothic Imagination
in Gothic Studies
Abstract only
Log-in for full text

Individual article purchase

Individual articles are available for purchase via Reprints Desk, click below for more information

Reprints Desk

 

Have an Access Token?

You can redeem an access token by logging in through the link below

Redeem token

 

Have Institutional Access?

Access content through your institution by choosing the below option and using your institutional log-in.

Connect via institution

Critics of the Gothic have typically stated that ancient, foreign, Catholic, Italy was generally an obvious choice as the site of early Gothic ‘otherness’. I argue that Walpole‘s choice of Italy was in fact overdetermined by his experiences there from 1739–41. In Italy, Walpole learned various strategies for disguising a self implicitly unacceptable in England. Italy was notorious for its homoerotic subcultures. Its Carnevale institutionalised the masquerade, and Italian opera performed the notion that gender is a performance. Upon his return to England, Walpole constructed Strawberry Hill, his most extravagant and elaborate masquerade. Years later, when the dream of his grand staircase impelled, The Castle of Otranto, another disguise was expressed. According to Otranto, Strawberry Hill was the unconscious embodiment of the English cultural prohibitions imposed upon him; the first Gothic novel is also the first closet.

All Time Past Year Past 30 Days
Abstract Views 36 14 0
Full Text Views 24 3 0
PDF Downloads 20 4 1