Gothic Threats
The Role of Danger in the Critical Evaluation of The Monk and The Mysteries of Udolpho
in Gothic Studies
Abstract only
Log-in for full text

Individual article purchase

Individual articles are available for purchase via Reprints Desk, click below for more information

Reprints Desk

 

Have an Access Token?

You can redeem an access token by logging in through the link below

Redeem token

 

Have Institutional Access?

Access content through your institution by choosing the below option and using your institutional log-in.

Connect via institution

Gothic Threats argues that eighteenth-century British critics based their judgments of Gothic fictions on the fictions apparent capacity to help or hurt social order. If, like Matthew Lewiss The Monk, a novel seemed to corrupt the young, erode gender norms, encourage heretical belief in the supernatural, or foment revolution, critics condemned it. If, like Ann Radcliffes The Mysteries of Udolpho, a novel that seemed to fight against such threats, critics gave it the highest praise. This politically-determined pattern of “aesthetic” evaluation helped to establish the Gothics place in the hierarchy of high and low culture.

INFORMATION
METRICS
All Time Past Year Past 30 Days
Abstract Views 31 21 3
Full Text Views 44 12 0
PDF Downloads 23 7 0
RELATED CONTENT