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Artisan culture in London, c. 1550–1640

This book explores artisanal identity and culture in early modern London. It demonstrates that the social, intellectual, and political status of London’s crafts and craftsmen was embedded in particular material and spatial contexts. Through examination of a wide range of manuscript, visual, and material culture sources, the book investigates for the first time how London’s artisans physically shaped the built environment of the city, and how the experience of negotiating urban spaces impacted directly upon their own distinctive individual and collective identities. The book identifies and examines a significant cultural development hitherto overlooked by social and architectural historians: a movement to enlarge, beautify, and rebuild livery company halls in the City of London from the mid-sixteenth century to the start of the English civil wars. By exploring these re-building projects in depth, the book throws new light on artisanal cultural production and self-presentation in England’s most diverse and challenging urban environment. Craft company halls became multifunctional sites for knowledge production, social and economic organisation, political exchange, and collective memorialisation. The forms, uses, and perceptions of company halls worked to define relationships and hierarchies within the guild, and shaped its external civic and political relations. Applying an innovative and interdisciplinary methodology to the examination of artisanal cultures, the book engages with the fields of social and cultural history and the histories of art, design, and architecture. It will appeal to scholars of early modern social, cultural, and urban history, and those interested in design and architectural history.

Kuba Szreder
in The ABC of the projectariat
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Kuba Szreder
in The ABC of the projectariat
Kuba Szreder
in The ABC of the projectariat
Communist sexuality in the flow during and after the Cold War
Author: Bogdan Popa

"An influential concept in North American queer studies, gender has been forged as part of the anti-communist Cold War and became one of its key analytics at the beginning of the 1990s. In tracing the conceptual history of gender, this book de-centers queer studies and provides an innovative approach by excavating a rival communist sexuality during the Cold War. As opposed to a theory of gender, eastern European Marxism generated a revolutionary imagination that had at its core a dialectical understanding of bodies and sexual acts. This communist understanding of sexuality centered on a productive body that was better able to feel and live than its capitalist counterpart.

The book is original not only because it analyzes competitive models of Cold War sexuality, but also because it inserts historical materialism into queer theory. By drawing on materials from socialist theory, queer studies and communist films, it moves from the 1920s to the 1950s to the 1990s to understand the emergence of contemporary sexual categories. It traces the rise of gender and queer by studying the shared and complicated history of communist history and queer theory. It also provides a new dialectical method by juxtaposing socialist theory and films with queer anti-racist theory. In doing so, it offers a sensuous materiality that transforms the epistemology of a queer of color analytic. The book is an essential contribution to a scholarship that interrogates queer liberalism and new formations of anti-gender ideology.

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Kuba Szreder
in The ABC of the projectariat
Kuba Szreder
in The ABC of the projectariat
Abstract only
Kuba Szreder
in The ABC of the projectariat
Abstract only
Kuba Szreder
in The ABC of the projectariat
Kuba Szreder
in The ABC of the projectariat