In the seventeenth and eighteenth centuries, historians of England pioneered a series of new approaches to the history of economic policy. Commerce, finance and statecraft charts the development of these forms of writing and explores the role they played in the period's economic, political and historiographical thought. Through doing so, the book makes a significant intervention in the study of historiography, and provides an original account of early-modern and Enlightenment history. A broad selection of historical writing is discussed, ranging from the work of Francis Bacon and William Camden in the Jacobean era, through a series of accounts shaped by the English Civil War and the party-political conflicts that followed it, to the eighteenth-century's major account of British history: David Hume's History of England. Particular attention is paid to the historiographical context in which historians worked and the various ways they copied, adapted and contested one another's narratives. Such an approach enables the study to demonstrate that historical writing was the site of a wide-ranging, politically charged debate concerning the relationship that existed – and should have existed – between government and commerce at various moments in England’s past.
The major part of this book project was funded by the European Union’s Horizon 2020 research and innovation programme under the Marie Sklodowska-Curie grant agreement No. 700913. This book is about two distinct but related professional cultures in late Soviet
Russia that were concerned with material objects: industrial design and
decorative art. The Russian avant-garde of the 1920s is broadly recognised to
have been Russia’s first truly original contribution to world culture. In
contrast, Soviet design of the post-war period is often dismissed as hackwork
and plagiarism that resulted in a shabby world of commodities. This book
identifies the second historical attempt at creating a powerful alternative to
capitalist commodities in the Cold War era. It offers a new perspective on the
history of Soviet material culture by focusing on the notion of the ‘comradely
object’ as an agent of progressive social relations that state-sponsored Soviet
design inherited from the avant-garde. It introduces a shared history of
domestic objects, handmade as well as machine-made, mass-produced as well as
unique, utilitarian as well as challenging the conventional notion of utility.
Situated at the intersection of intellectual history, social history and
material culture studies, this book elucidates the complexities and
contradictions of Soviet design that echoed international tendencies of the late
twentieth century. The book is addressed to design historians, art historians,
scholars of material culture, historians of Russia and the USSR, as well as
museum and gallery curators, artists and designers, and the broader public
interested in modern aesthetics, art and design, and/or the legacy of socialist
Writers on historical affairs in the eighteenth century increasingly came to conceive of commerce as a sphere of activity that was more dependent on the manners and desires of a nation's people than it was on the specific actions of its monarchs. The book's conclusion discusses this development with reference to a range of writers (including Hugh Blair, Adam Anderson and Catharine Macaulay) and considers its consequences. Chief among these, it is argued, was a shift in attitudes towards economic statecraft, and a series of new approaches to the histories of finance and commerce.
This book highlights one specific aspect of the history of the Jews in Italy: the trials of professing Jews before the Papal Inquisition at the beginning of the seventeenth century. Inquisitorial processi against professing Jews provide the earliest known evidence of a branch of the Papal Inquisition taking judicial actions against Jews on an unprecedented scale and attempting systematically to discipline a Jewish community, pursuing this aim for several centuries. Although the belief that the Inquisition could prosecute Jews had already been set out by theologians from medieval times, the papacy officially brought them under Inquisitorial jurisdiction in 1581. Sixteen or 9" of processi were initiated by Jewish delators who seemingly believed that the Holy Office was a suitable location for delations of fellow religionists and neophytes.
This chapter argues that the brutal treatment of corpses transgresses the spheres of national security politics and the simple spread of terror. Corpses are instead seen as a social force that enchants politics and socialises religion. The chapter focuses on the possible social and cosmological complications of the violations of Arturo Beltrán Leyva's corpse in the Mexican drug war. It suggests that, as a result of Beltrán Leyva's violent death, his corpse is likely to be suspected in Mexico's violent underground economy of confining a restless terrorising force capable of attacking people. Two days after Beltrán Leyva's funeral, the marine who had been shot during the campaign was buried in the presence of both family and military personnel in his home state of Tabasco. The chapter concludes that a violent death in popular Catholicism may prevent the soul from leaving the dead body for purgatory.
Religion is fundamentally concerned with the regulation of life, yet
contemporary ideas about the role of faith in political life are deeply
contested. Across faiths, sects and ideologies, different visions of the
role of religion have resulted in political contestation with regional
repercussions. Understanding these issues requires consideration of
competing claims to authority and legitimacy, along with an exploration of
the role of Islam within the political realm. Amidst a region increasingly
characterised by sectarian divisions, it is imperative to consider the
spatial aspects of the relationship between religion and politics and to
explore how sect-based identities can be mobilised for (geo)political
purposes. The chapter also considers the way in which similar issues emerge
in Judaism, exploring the relationship between the state of Israel and
Pollution, contamination and the neglected dead in post-war Saigon
Pollution in the dead zone seeps in and becomes unbearably real and anxiety producing when its source is identified as 'death itself '. Georges Bataille reflected on the fear of violation and contamination resulting from encounters with corpses and humans' efforts to institute rituals to domesticate the pollution from encounters with dead bodies. The city government wants to remove graves and raze the cemeteries because they are a chaotic mess, symbols of disorder, pollution and contamination. The municipal government of Saigon/Ho Chi Minh City has tried without much conviction or success to close down the textile and plastics factories that dump waste directly into the marshes around Binh Hung Hoa cemeteries. The government has also tried to regulate illegal dumping of trash and close down illegal garbage dumps that sprouted in the marshes.
John Donne, George Chapman and the senses of night in the 1590s
This chapter investigates the place of the senses in understandings of light, dark and shadow in the post-Reformation period, using the evidence of the writings of two contrasting poets, John Donne and George Chapman. It discusses Donne's will, where he disposes of his personal time keeping technology. The specificity of Donne's use of light, dark and shadow can be seen more clearly in comparison with Chapman's 'The Shadow of Night'. In 'A Nocturnall Upon St. Lucie's Day', the senses are interwoven with alchemical language and an elaboration, even multiplication, of the absence of light, the world of dark. The 'Hymnus in Noctem' explores night in terms of the senses, but also derives substantial sections from Natale Comes's allegorical fables. The Skeptick circulating in the 1590s is an indication of vernacular debate on the role of the senses, and sensory experience, in producing knowledge.