Henry Edward Manning (1808–92) was involved in some of the most pressing social issues of his time, from the defence of workers and trade unionism to finding a solution for the dock strike and the education of the poor. English Catholic social conscience, as a whole and with some singular exceptions, was somewhat slow in following the leadership of the cardinal in some of these matters. This article studies a barely known aspect of Manning’s social activity: his involvement in the British response to the Russian pogroms of 1881–82 and in other contemporary Jewish issues.
Looking for Typological Treasure with William Jones of Nayland and E. B. Pusey
This article compares the typological exegesis promoted by E. B. Pusey (1800–82) and his colleagues John Henry Newman and John Keble with that of their eighteenth-century Hutchinsonian predecessor William Jones of Nayland (1726–1800). Building on Peter Nockles’s argument that Jones’s emphasis on the figurative character of biblical language foreshadows the Tractarian application of the sacramental principle to exegesis, this article shows how this common approach differs from the more cautious one displayed by the High Church luminaries William Van Mildert and Herbert Marsh. At the same time, both Pusey’s criticism of the mainstream apologetics of his day and his more explicit application of the doctrine of the Incarnation to exegesis resulted in bolder interpretations and a greater emphasis on the necessity of figurative readings (of both the Bible and the natural world) than Jones generally proposed. A shared appreciation of the principle of reserve may explain both these differences and the Tractarian emphasis on a patristic, rather than a Hutchinsonian, inspiration for their approach.
The Gendered Politics of Publication of Mary Fletcher’s Auto/Biography
This article focuses on the representation of Methodist preacher Mary Bosanquet Fletcher (1739–1815) in her biography by the Revd Henry Moore. His omissions and commentary served to neutralise some of her more radical ideas and early feminism, which can be discovered by reading her manuscript journals, as well as the manuscript correspondence between Mary Tooth, keeper of Mary Fletcher’s papers, and Henry Moore. The product of archival research in the Methodist collections at the John Rylands Library in Manchester, this article owes a great debt to archivists Dr Peter Nockles and Dr Gareth Lloyd.
In 1869, Parliament disestablished the Church of Ireland, dissolving what Benjamin Disraeli called the ‘sacred union’ of church and state in Ireland. Disestablishment involved fundamental issues – the identity and purpose of the established church, the religious nature of the state, the morality of state appropriation of church property for secular uses, and the union of Ireland and Britain – and debate was carried on at a high intellectual level. With disestablishment, the Church of Ireland lost much of its property, but it recovered, now as an independent Episcopal church with a renewed mission. The idea of the United Kingdom as a semi-confessional Protestant state, however, was dealt a serious blow.
This article considers the sermons preached by royal chaplains at the court of James II and the organisation of the chapel royal by James as a Catholic organisation. In doing so, it addresses the question of where James’s assurance and certainty came from that he was ruling as God wished him to do. The evidence presented here is that James organised his Catholic chapel royal to be a conscious source of guidance and support. His chaplains reciprocated by addressing him as a Catholic king whose duty was to bring to heel a recalcitrant and stubborn people. His chaplains used historical precedent and theological argument to press on James his determination to bring his Protestant subjects to obedience. This is a study of the Catholic milieu of James’s court and of the theological impetus behind his rule.
Architecture and visual arts in general have been subjects of a growing body of recent scholarship connected with the ecclesiastical history of the ‘Long Eighteenth Century’, but little attention has been given to portraiture. Although honourable mention should be made of pioneering work by John Ingamells on painted episcopal portraits, and by Peter Forsaith, very recently, on Methodist portrait prints, other aspects of this extensive subject still await investigation. The article outlines the development of engraved portrayal of clergy, mainly of the Church of England, during the two centuries before production of multiple images was taken over by photography, and indicates how the quantity, variety, and dissemination of such material can provide some index of the priorities of a pre-photographic age. It does not aim to be a comprehensive or a complete survey of the corpus of engraved portraiture; nevertheless, this article provides an initial guide to the abundance of previously unexplored illustrative material, and may suggest a framework for further exploration. It is hoped that future scholars will build on this initial work to enable a complete catalogue of such images to be developed and further explored.
Hutchinsonianism, a set of ideas developed by John Hutchinson, did not necessarily command considerable respect among intellectuals in the eighteenth century. Hutchinson held that science was divine in origin and was rooted in the Old Testament. He denied the Newtonian principle of gravity and argued that God was necessary for the application of physical laws. He also developed a highly symbolic interpretation of religious ideas. George Horne (1730–92) was an exception in taking Hutchinsonianism seriously. Horne’s ideas aimed at uniting Christian orthodoxy against a common enemy, particularly those who undermined Trinitarian Christianity. This article examines Horne’s ideas as a Hutchinsonianism and explores his debt to Hutchinson. Horne also can be regarded as the most important representative of the Oxford Hutchinsonians of his generation, in the sense that his orthodoxy and adherence to Hutchinson’s ideas were aimed at finding a common ground between the two.
Henry Manning’s (1808–92) transition from Anglican to Roman Catholic convert has not received the extensive attention that John Henry Newman’s journey to Roman Catholicism has received. Though more than a half dozen treatments have appeared in recent decades, newly acquired archival resources received by the Westminster Diocesan Archives in 2014 warrant a new appraisal of the events leading to his conversion. How could a committed adherent of the Oxford Movement, who did not initially follow Newman’s example in 1845, make the decision to leave the Church of his birth in 1851? What interior process enabled Archdeacon Henry Manning to preside over the assembly of Chichester clergy that condemned ‘papal aggression’ in 1850, and announce at the conclusion of the vote that he would be received into the Roman communion? This article outlines undercurrents in Manning’s thought, traces of which can be found in his undergraduate years, and considers concepts that culminated in the decision that changed his life, and guided his Roman Catholic ecclesial outlook. His role in shaping the agenda of Vatican I and the post-conciliar era heightens the significance of this background.
Although Catherine Livingston Garrettson (1752–1849) initially encountered feelings of isolation upon converting to Methodism, she discovered that the written word allowed her to engage in relational rather than solitary religious experiences. Over time, the written word helped her create a web of meaningful ties with imagined and actual kin and motivated her to form, develop and foster additional relationships in multiple contexts. Garrettson’s story thus demonstrates the need to consider how the real and imagined communities encountered through reading and constructed through writing have played a role in the spiritual development of early American women. Indeed, women’s experiences serve not simply to explain aspects of American social development, but to illuminate their broader world of connections – familial, religious, social and literary.