This chapter traces the evolution of Stone’s political consciousness and his articulation of America’s twentieth century outlook by revisiting JFK, the film that placed Stone centre-stage in this assault on establishment doctrine and routine. It then considers how that critique was honed in his subsequent feature films – W. - documentary work and in particular Comandante (2003) and South of the Border (2010). The chapter also revisits the debate about drama as history as well as locating Stone’s documentary work within that genre’s tradition and trends over recent years including the increasing presence of feature film aesthetics and entertainment values.
Ian Scott and Henry Thompson
Toward a dialogue with foreign policy analysis
Edited by: Sebastian Harnisch
Chapter 9, by Sebastian Harnisch, discusses the policy learning approach. Learning is a change of beliefs or a development of new beliefs, skills, or procedures as a result of the observation and interpretation of experience. Policy learning has been long recognized as a central mechanism of change in public policy and it has been employed in various research approaches, such as advocacy coalition, theories of institutional change, policy diffusion, and transfer or epistemic communities. Thus far, however, its broad application has not resulted in any (substantial) additional analytical purchase because respective sub-disciplines have not communicated with and built upon each other. The chapter offers a systematic review of the extant public policy literature and discusses the competitive application of several learning approaches to the case of Soviet Union foreign policy learning under Gorbachev. In lieu of a result, it identifies three areas of common interest to Public Policy and FPA, i.e., the historicity and cross-fertilization of domestic and foreign policy experience, the temporal pattern of specific learning episodes and the variant patterns of sociality, including international institutions as teachers/facilitators of learning, for a future dialogue.
Edited by: Katja Biedenkopf and Alexander Mattelaer
Chapter 8, by Katja Biedenkopf and Alexander Mattelaer, covers policy diffusion. It argues that the analytical lens of interdependent policy decisions and mutual influence among foreign policy-makers can add a useful angle to FPA. More specifically, the focus of this chapter is on policy diffusion and transfer as independent variables in the analysis of foreign policy choices. The chapter starts with outlining policy diffusion and transfer as public policy approaches and then has a section that proposes how these two concepts could enrich FPA. The fourth section illustrates the application of a policy diffusion lens to foreign policy decisions, namely the case of planning doctrine for military crisis response operations. It explores the historical origins of North Atlantic Treaty Organization (NATO) operational planning doctrine and how it has diffused to other international organizations such as the European Union (EU) and the United Nations (UN). The concluding section provides some reflections on the contribution and limitations of integrating policy diffusion and transfer into FPA.
Winifred Dolan beyond the West End
Winifred Dolan worked as an actress, theatre administrator, teacher and producer. She outlined her early work in West End theatre in her memoir, A Chronicle of Small Beer, but this narrative does not cover her subsequent work as a drama teacher and producer of amateur theatre. This chapter examines Dolan’s West End practice as her formative experience and focuses on her subsequent career: teaching drama and designing suitable spaces for that teaching and for amateur productions. An analysis of the range of evidence left by Dolan reveals the rich and complex links between professional theatre work, the teaching profession and the amateur theatre movement in the first half of the twentieth century.
Actresses, charity work and the early twentieth-century theatre profession
This chapter considers aspects of public charity work undertaken by actresses in the 1910s, focusing on their work selling for charitable causes within the commercial sector at Harrods department store in London. Charity labour has been overlooked in understandings of the theatre industry during this period, yet the considerable amount of voluntary work that actresses undertook was significant to the continuing improved social and cultural position of the British stage more generally. Charity work at home and overseas brought an increasing level of professionalisation to actresses’ work in the voluntary sector and wider recognition of the charitable activities they undertook.
There has been little attempt to place Margaret Rutherford (1892–1972) historically, other than in a trajectory or tradition of roles typically defined as ‘eccentrics’. Even Rutherford herself referred dismissively to ‘my usual dotty old lady stuff’. This chapter, however, engages with the paradox that ‘eccentricity’, which normally refers to unconventional views or behaviour, has its own set of theatrical characteristics and is, in fact, central to the English comic inheritance. A comparative analysis is made of some of the ‘classic’ female roles that Rutherford took on, alongside an exploration of some of the famous parts she initiated, in light of the work of other contemporaneous actresses who may be said to have carried on the eccentric tradition in their own distinctive ways.
This chapter is inspired by Frantz Fanon’s autobiographical account in Black Skin, White Masks of how the racist gaze makes him an object surrounded by other objects. Its narrative charts the author’s intellectual move from an attempt to fathom the world and how it works to an advocacy of what Fanon sees as an everyday openness to each other. In recounting how the family photograph as object survives the living body, and telling of the search for a missing family member in the archives, it traces the interweaving of life and thought over time. It is underpinned by an anger at objectification, and reveals how the unknown has an impact on what and who we think we know.
Military success in war was contingent on men sustaining a determination to fight. Persuading men to continue fighting or returning them to combat after illness or injury depended on maintaining their morale. The use of female nurses in upholding this resolve was integral to the war effort. The chapter explores the value of the presence of women in hospital wards and in social environments on active service overseas. It considers the occasional antipathy of military authorities and male colleagues to the location of female nurses in war zones. However, it is argued through the provision of expert clinical care, domestic acumen and the use of their ‘female-selves’, nurses were able to salvage men in readiness to return to battle. Nursing sisters thus created a space for themselves in frontline duties. However, the chapter argues, this was not without its difficulties. As single, white women in far-flung places, this position situated nurses in a liminal place between the respectable European colonial wife and the ‘biohazardous’ local women. The chapter acknowledges these difficulties, but also demonstrates how the nurses negotiated their way through these contradictions to their advantage and for those in their care.
Edited by: Siegfried Schieder
Chapter 6, by Siegfried Schieder, covers new institutionalism (NI). The purpose of this chapter is to bridge the gap between the sub-discipline of FPA and NI, providing new insights into how the former can benefit from the various strands of the latter. To do so, this chapter examines NI as one of the most prominent research program in the field of public policy analysis and presents an overview of how NI in its rational, sociological, historical, and discursive variants have been applied to research on FPA and what their contribution is to this field. While FPA can be enriched by all four forms of NI, much of the relevant literature employs either rational institutionalism or a more sociological approach. To bring out the promise of NI in FPA, the chapter then looks at how historical institutionalism may be able to explain the United States’ decision to impose sanctions on Russia in response to the Ukraine crisis in 2014.
Edited by: Christopher Ansell and Jacob Torfing
Chapter 7, by Christopher Ansell and Jacob Torfing, introduces the Network Approach. This chapter first defines the network concept, sets out the core features of the network approach and explains how and why it has emerged as an alternative lens for understanding policy-making in dispersed and interactive settings that defy description in terms of the traditional hierarchy–market dichotomy. It then compares different theories and methods for understanding policy and governance networks and discusses how these networks can be instrumental for enhancing knowledge sharing, improving inter-organizational and cross-sector coordination, and solving wicked and unruly problems in ways that both increase effectiveness and democratic legitimacy. Subsequently, the chapter describes how and why the network approach is applicable to foreign policy-making and assesses the scope conditions and merits and limits of applying the approach. It argues that the network approach is useful for analyzing how states formulate, implement, and diffuse foreign policy in response to domestic interests and global problems and events. Finally, the chapter provides a more extended example of how the network approach is applicable to core concerns of foreign policy. The example illustrates the role of networks in facilitating political cooperation to prevent nuclear proliferation.