For over two decades, Manchester Studies in Imperialism has been a trailblazer in the realm of imperial history. Positioned firmly at the forefront, this series has illuminated the annals of history and transformed our understanding of empire.
Pioneering perspectives
The Studies in Imperialism series has embarked on a transformative journey, reshaping not only British history but also the vast landscape of imperial histories. It has boldly expanded boundaries, delving into uncharted territories, and shining a light on subjects that were once overlooked. More importantly, it has masterfully unveiled the intricate and inseparable relationships between these domains.
A treasury of knowledge
Within the pages of Manchester Studies in Imperialism lies a treasure trove of scholarly exploration. It unveils the rich tapestry of cultural encounters between colonisers and the colonised, shedding light on the intricate web of power that flows through the production and organisation of colonial knowledge. It unravels the complex construction of identity, both at the heart and on the peripheries of empire.
2025 Manchester Studies in Imperialism
Tribe Arts is a philosophically inspired, radical-political theatre company based in Leeds. Founded by Tajpal Rathore and Samran Rathore, it aims to amplify the stories and voices of second- and third-generation black and Asian people in Britain, interrogating themes and issues such as race, belonging and identity. Tribe Arts’s previous shows have included Darokhand, a reimagining of six Shakespeare plays, amalgamated into an original story set in a striking Gothic-Mughal world – stylistically a gothic landscape evoking Mughal India; and Tribe Talks, a radical format of participatory theatre in which a panel of speakers motivate the audience to discuss important topics around the history of black and Asian people. In 2020, Tribe Arts launched Off/Stage, the only e-zine currently dedicated to black and Asian theatre and culture in the UK. This interview sees editors Josh, Liam and Emma reconvene with Thaj and Sam, both of whom presented on decolonial theatre practice at the original 2018 ‘After Empire?’ conference. In this conversation, held during the autumn of 2020, Thaj and Sam reflect on their origins as an organisation, exploring why decolonial theatre is necessary in modern Britain and how their work confronts the legacies of empire across British society.
Inspired by other studies that analyse the politics of Enoch Powell in light of the legacy of the British Empire, this chapter examines the British radical right’s response to Commonwealth immigration and decolonisation. In both challenging and building on these studies, this chapter argues that the British radical right drew deeply on the vast ideological and experiential reservoir of British imperialism in formulating and articulating their political vision. Drawing mostly on the published output of several of the groups that merged together to become the National Front in 1967, the chapter demonstrates that the activists within these groups experienced decolonisation and Commonwealth immigration as interlinked civilisational crises. In doing so, it considers their presence and activism around the Notting Hill racist riots in 1958 and at their response to Rhodesia’s Unilateral Declaration of Independence in 1965. Against what they termed the ‘coloured invasion’ in Britain and the perceived surrender of ‘white rule’ abroad, they looked longingly at the renegade settler states of South Africa and Rhodesia, eventually reimagining Britain as the metropolitan equivalent of a besieged white-settler colony and white Britons as a variety of endangered white settler. This saw them reject the imperial remnants of the Commonwealth and advocate an imperial solution of a different order: a white alliance of Britain, its Dominions, South Africa and Rhodesia.
Eighteenth-century Jamaica offers seemingly innumerable examples of defensive domestic architecture, suggesting that the British occupation of Jamaica was from its inception marked by a clear sense of martial contest. This militarisation of the domestic sphere differentiates Jamaica from the colonies of the American mainland. Yet there are some extraordinary parallels between the plantation houses of mid-eighteenth-century Jamaica and early-seventeenth-century Ireland. Both are marked by militarised towered houses. Just as Munster in southern Ireland boasts a large number of English-built manor houses defined largely by four prominent corner towers, so too does that form prevail in the older more predominantly English parishes of Clarendon and St Dorothy on Jamaica. Drawing from a centuries-long practice in the British colonial landscape, newly wealthy planters in Jamaica used architecture to assert their authority over a contested landscape. And just as Ulster exhibited a number of Scottish-derived towered houses, usually with appended or freestanding defensive flankers, so, too, is this form evident in Jamaica, again built largely by Scots. Emigrating Scots were not unfamiliar with the militarisation of houses in a colonial context. The architecture of Jamaica is best positioned not in light of contemporary developments in America, but as an extension of the architecture beyond the pale.
French advances in engineering, map-making, landscape design and colonial governance made Saint-Domingue, now Haiti, the world’s most valuable tropical colony for most of the eighteenth century. Governed from Paris as another French département, its many plantations, their success founded on matrilineal chattel slavery, proliferated across the region’s flat plains. The infrastructure that supported their extraordinary productivity was designed and drawn from a distance and, exhibiting the French State’s ambitious design coherence, this led to remarkable innovations in irrigation, water power and landscape planning. In contrast, Jamaica’s designed landscapes speak of the reach of the individual planter, the power of the Jamaican Assembly, and both empires’ diverging traditions of cartography, engineering and landscape design.
The Saint-Domingue plantation-owner Moreau de Saint-Méry’s encyclopedic two-volume Description topographique, physique, civile, politique et historique de la partie française de l’isle de Saint-Domingue (1797–8) was intended to provide an in-depth description and assessment of every quarter of Saint-Domingue. Saint-Méry’s volumes, when cross-referenced with Saint-Domingue’s digitised cadastral maps, and some other significant visitors’ accounts, reveal the role of Franco-Irish families, such as the dynasties of Butler, O’Sheil/Sheill, McNemara and O’Rourke, in creating them. Enabling a comparative analysis of the French and English Caribbean, and particularly the French and English plantation, the method also reveals how and why the landscape design of Saint-Domingue became the runaway design model for eighteenth-century colonial space.
In 1752 Dennis Kelly’s only daughter and heiress, Elizabeth, married Peter Browne (1731?–80), son and heir of Sir John Browne (1709–76), owner of a substantial Irish landed estate that had been accumulating since Elizabethan times, with large tracts located in the poor and unimproved reaches of the far west. Elizabeth Browne-Kelly and her husband continued her father’s practice of removing further and further from the real landscape of Jamaica, while using the profits of plantation to benefit their estate in Galway and Mayo. In the early nineteenth century the young George Hildebrand surveyed, measured and drew both Irish and Jamaican estates. A scion of a transplanted German family, he subsequently became the estate agent until he was sued for corrupt management practices by the Browne family in the 1850s. Family taste and tradition on one side of the Atlantic could transfer easily and quickly to the other. This chapter will explore the impact of the families of Kelly, Browne and Hildebrand on the connected landscapes of Ireland and Jamaica during the long eighteenth century. It will also touch upon ways in which the steady stream of sugar income that the Jamaican plantations produced (even if the sugar itself was never landed in Ireland) funded Irish projects of urban and landscape improvement throughout the eighteenth and early nineteenth century.
Irish trading houses – and trading houses with strong Irish connections – were a conspicuous feature of the eighteenth-century West Indian economy. Although most did business in the British, French and Dutch islands of the eastern Caribbean, there was, as well, an Irish presence on French Saint-Domingue and in Great Britain’s largest West Indian city: Kingston, Jamaica. Useful evidence of the activities of such firms survives in bits and pieces, and most often from an external perspective. By a stroke of luck, however, the mailbag of an Irish trading ship, the Europa of Dublin (a vessel recaptured after having been taken by a French privateer early in the Seven Years War) contained letters providing an inside look at the operations of John Byrn of Dublin, an overseas merchant in Kingston. Byrn’s correspondence ties his trade to Dublin’s merchant elite and key figures in London’s Irish merchant community.
This chapter traces the threads of scattered details, repeated images and occasional plot twists found in the fiction and letters of Maria Edgeworth in order to consider the scope and extent of her engagement with the West Indies throughout a long career. The topic of slavery makes an uncomfortable home within the context of Edgeworth’s broader intellectual interests, not least because she does not set the ownership, sale and exchange of people apart from trade in ideas, books and goods. Furthermore, the kinds of violent improbabilities that help to form the particular texture of Edgeworth’s realism often concern seeds and plants. Within the specific scenes that flow from Edgeworth’s thinking about slavery in the context of improving debates about education and domesticity, she allows seeds, plants and gardens to sharpen and define lines of imperial connection.
The Irish presence in England’s early Caribbean colonies has startlingly modern echoes. A healthy trade in provisions and servants had developed between Munster and Virginia during the 1620s. As the quantity and value of Virginia tobacco increased dramatically, the Government of Charles I, in 1630, sought to increase its tax revenue and decreed that all Virginia tobacco must be imported through London. To circumvent this tax, a group of colonial projectors and planters, resident in County Cork and centred around Richard Boyle, the first Earl of Cork, joined forces with a group of London-based tobacco merchants and established small plantations on the Leeward Islands, which they peopled with Irish servants. The partners’ intention was to cultivate tobacco on the islands and to import it through Cork, thus avoiding the Virginia tax. Although the tax loophole was removed a few years later, it had the effect of developing a number of successful colonies managed by English merchants but using Irish finance and labour. The habit of merchants moving their production to the lowest-tax jurisdiction has, it seems, a long history.
Centring on the experiences of three Irish men (Cornelius Bryan, John Blake and William Stapleton) who arrived in the Caribbean in the middle of the seventeenth century, this chapter uncovers the strategies they employed to circumvent English perceptions of their barbarous natures and the threat posed by their religious beliefs. By acquiring property in land, becoming enslavers, emulating English social and cultural norms, and quietly hiding their Catholicism, these men (and hundreds more like them) encouraged English elites to rethink their former antipathy towards anyone hailing from Ireland. These property-owning Irish men became important members of the planter class and, as such, played key roles in England’s imperial success.
This chapter explores the recent rise of the figure of the ‘Irish slave’ in popular discourse on both sides of the Atlantic. The fact that there is no evidence that any person of Irish heritage experienced chattel slavery comparable to that endured by people of African descent throughout the Atlantic world has not discouraged a small number of writers and a far larger cohort of white nationalists, particularly in the United States, from deploying this concept in an attempt to minimise the sufferings of enslaved African-Americans and deny the legitimacy of racial justice movements such as Black Lives Matter. In order to counter these misconceptions, it is crucial that scholars and activists promote a more nuanced understanding of the historical and contemporary meaning of slavery.