Heather Blatt
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Nonreading in late-medieval England

Considering the role of nonreading through the lens of digitally-inspired object-oriented theory that focuses on assemblages and relations within networks, this chapter argues that, when letters or books are more valuable for nonreading, their meanings, and the ways in which readers participate with them, change. This change affects books even in moments of reading, for it highlights their ever-present potential to act and be used in ways contrary to how writers might want them to work. Analyzing the role of nonreading through its literary instantiations in scenes like that from the Wife of Bath’s Prologue, and in manuscripts where readers draw or inscribe their names, encompasses acts of participation that resist and critique modes of participatory reading like those studied in previous chapters. In this way, nonreading could shift books into alternative networks, and highlights how medieval readers could take charge and make books and reading work for themselves.

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