Christina Morin
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in The gothic novel in Ireland, c. 1760–1829
Chapter DOI:
https://doi.org/10.7765/9781526122308.00012
Online Publication Date:
11 May 2018
Open Access (free)

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Manuscript sources

Archives of the Royal Literary Fund, 1790–1918, British Library.

British Library 41996/27, letter from Maturin to Hurst, Robinson & Co, 25 June 1821.

The Walter Scott manuscript collection, National Library of Scotland.

Newspapers and journals

The British Critic and Quarterly Theological Review

The Critical Review

The Daily Inter-Ocean

Edinburgh Review

Gentleman’s Magazine

The Guardian

La belle Assemblée

The Milwaukee Sentinel

Missouri Republican

The Monthly Mirror

Monthly Review

New England Weekly Review

Other primary sources

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Austen, Jane . Northanger Abbey. 1818. Eds James Kinsley and John Davie . Introd. Claudia L. Johnson. Oxford: Oxford University Press, 2003.

Banim, John . Revelations of the dead-alive. London: W. Simpkin & R. Marshall, 1824.

—— and Michael Banim , The fetches. Tales by the O’Hara family. By John and Michael Banim . Volume 2. London: W. Simpkin and R. Marshall, 1825. 111–392.

Barrett, Eaton Stannard . The heroine, or, adventures of a fair romance reader. 1813. Eds Avril Horner and Sue Zlosnik . Kansas City, MO: Valancourt Books, 2011.

Beattie, James . Dissertations moral and critical. London, 1783.

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Dalton, Regina Maria [Roche] . The vicar of Lansdowne; or, country quarters: a tale. 2 vols. London: J. Johnson, 1789.

—— The vicar of Lansdowne; or, country quarters. 2 vols. 2nd edn. London: William Lane, 1800.

Edgeworth, Maria . The absentee. 1812. Eds W.J. McCormack and Kim Walker . Oxford: Oxford University Press, 2001.

Fielding, Henry . The history of the adventures of Joseph Andrew and of his friend Mr. Abraham Adams. 1742. Ed. Douglas Brooks-Davies . Introd. Thomas Keymer. Oxford: Oxford University Press, 2008.

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—— The convent: or, the history of Sophia Nelson. 2 vols. London, [1786].

—— The son of Ethelwolf; an historical tale. Dublin, [1789].

Griffith, Elizabeth . Amana. A dramatic poem. London, 1764.

—— ‘Conjugal fidelity: or, female fortitude’, in Griffith and Goldsmith (eds), Novellettes, pp. 179–91.

—— The delicate distress, a novel: in letters. 1769. 2 vols. Dublin, 1787.

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—— ‘Story of Lady Fanny Beaumont and Lord Layton’, in Griffith and Goldsmith (eds), Novellettes, pp. 192–202.

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—— and Oliver Goldsmith , eds. Novellettes, selected for the use of young ladies and gentlemen. London, 1780.

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—— Longsword, Earl of Salisbury. London, 1762.

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Maturin, Charles Robert . ‘Leixlip Castle: an Irish family legend’. The literary souvenir; or, cabinet of poetry and romance. London: Hurst, Robinson, & Co., 1825.

—— ‘Leixlip Castle: an Irish family legend’. 1825. Twelve gothic tales. Ed. Richard Dalby . Oxford: Oxford University Press, 1998, pp. 1–13.

—— The Milesian chief; a romance. 4 vols. London: Henry Colburn, 1812.

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—— The progress of romance, through times, countries, and manners; with remarks on the good and bad effects of it, on them respectively; in a course of evening conversations. 1785. Bluestocking feminism: writings of the Bluestocking Circle, 1738–1785, Volume 6: Sarah Scott and Clara Reeve . Ed. Gary Kelly. London: Pickering & Chatto, 1999, pp. 160–275.

The rival friends; or, the noble recluse: a novel. London: T. Vernor, 1776.

Rizzo, Betty , ed. Eighteenth-century women playwrights. Volume 4: Elizabeth Griffith. London: Pickering & Chatto, 2001.

Roche, Regina Maria . The castle chapel. A romantic tale. 3 vols. London: A.K. Newman & Co., 1825.

—— The children of the abbey. 1796. New York: Thomas Crowell & Co., no date.

—— Clermont; a tale. 1798. Ed. Natalie Schroeder . Chicago, IL: Valancourt Books, 2006.

—— Contrast. 3 vols. London: A.K. Newman & Co., 1828.

—— The discarded son; or, haunt of the banditti. A tale. 5 vols. London: Lane, Newman, and Co., 1807.

—— The monastery of St Columb; or, the atonement. A novel. 5 vols. London: A.K. Newman, 1813.

—— Nocturnal visit; a tale. 4 vols. London: Minerva Press, 1800.

—— The tradition of the castle; or, scenes in the Emerald Isle. 4 vols. London: A.K. Newman & Co., 1824.

—— Trecothick Bower; or, the lady of the west country: a tale. 3 vols. London: A.K. Newman, 1814.

—— [née Dalton]. The vicar of Lansdowne; or, country quarters: a tale. 2 vols. London: J. Johnson, 1789.

—— [née Dalton]. The vicar of Lansdowne; or, country quarters. 2 vols. 2nd edn. London: William Lane, 1800.

Scott, Sir Walter . The bride of Lammermoor. 1819. Ed. Fiona Robertson . Oxford: Oxford University Press, 1991.

—— Lives of the novelists. 2 vols. Philadelphia, PA, 1825.

—— Review of Women; or, pour et contre, by Charles Robert Maturin. Edinburgh Review, 30.59 (1818), 234–57.

—— Waverley; or, 'tis sixty years since. 1814. Ed. Claire Lamont . Oxford: Clarendon Press, 1981.

Selden, Catharine . The English nun: a novel. London: William Lane, 1797.

‘Terrorist novel writing’, in Gothic documents: a sourcebook 1700–1820. Eds E.J. Clery and Robert Miles . Manchester: Manchester University Press, 2000, pp. 182–4.

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White, James . The adventures of John of Gaunt, Duke of Lancaster. 3 vols. London, 1790.

—— Conway Castle: a poem. London, 1789.

—— Earl Strongbow: or, the history of Richard de Clare and the beautiful Geralda. 2 vols. Dublin, 1789.

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Historical and critical studies

Adair, Charlene . ‘The trial of Lord Maguire and “print culture” ’, in Eamon Darcy , Annaleigh Margey , and Elaine Murphy (eds), The 1641 depositions and the Irish Rebellion. London: Pickering & Chatto, 2012, pp. 169–83.

Aldana Reyes, Xavier . Spanish gothic: national identity, collaboration and cultural adaptation. Basingstoke and New York: Palgrave Macmillan, 2017.

Anderson, Benedict . Imagined communities: reflections on the origin and spread of nationalism. Rev. edn. London and New York: Verso, 2006.

—— The spectre of comparisons: nationalism, Southeast Asia, and the world. London: Verso, 1998.

Atkinson, Colin B. and Jo Atkinson . ‘Sydney Owenson, Lady Morgan: Irish patriot and first professional woman writer’, Éire-Ireland, 15 (1980), 60–90.

Backus, Margot Gayle . The gothic family romance: heterosexuality, child sacrifice, and the Anglo-Irish colonial order. Durham, NC: Duke University Press, 1999.

Bakhtin, Mikhail . The dialogic imagination: four essays. Ed. Michael Holquist . Trans. Caryl Emerson and Michael Holquist. Austin, TX: University of Texas Press, 1981.

Baldick, Chris and Robert Mighall . ‘Gothic criticism’, in Punter (ed.), A companion to the gothic, pp. 209–28.

Bannet, Eve Tavor . ‘Charles Brockden Brown and England: of genres, the Minerva Press, and the early Republican print trade’, in Kevin Hutchings and Julia M. Wright , eds, Transatlantic literary exchanges, 1790–1870: gender, race, and nation. Farnham: Ashgate, 2011, pp. 133–52.

Barnard, Toby . ‘The uses of 23 October 1641 and Irish Protestant celebrations’, English historical review, 106 (1991), pp. 889–920.

Batchelor, Jennie . ‘Finding the mysterious Miss Cuthbertson in the Lady’s Magazine’, The Lady’s magazine (1770–1818): understanding the emergence of a genre, 17 April 2016. http://blogs.kent.ac.uk/ladys-magazine/2016/04/17/finding-the-mysterious-miss-cuthbertson-and-the-ladys-magazine/, accessed 14 October 2016.

—— ‘The Lady’s magazine and the Minerva Press’, The Lady’s magazine (1770–1818): understanding the emergence of a genre, 29 July 2015. https://blogs.kent.ac.uk/ladys-magazine/2015/07/29/the-ladys-magazine-and-the-minerva-press/, accessed 14 October 2016.

—— Women's work: labour, gender, authorship, 1750–1830. Manchester: Manchester University Press, 2010.

——, Jenny DiPlacidi, and Koenraad Claes , ‘Welcome to the Lady’s magazine: understanding the emergence of a genre’, The Lady’s magazine (1770–1818): understanding the emergence of a genre, 29 October 2014. http://blogs.kent.ac.uk/ladys-magazine/2014/10/, accessed 18 October 2016.

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—— ‘Some preliminary remarks on the production and reception of fiction relating to Ireland, 1800–1829’, Cardiff Corvey: reading the Romantic text, 4.2 (2000), 1–31. www.cf.ac.uk/encap/corvey/articles/cc04_n02.html, accessed 15 June 2017.

—— Sydney Owenson, Lady Morgan: critical receptions. Palo Alto, CA: Academica Press, 2007.

—— , ed. The Irish novel in the nineteenth century: facts and fictions. Dublin: Four Courts Press, 2005.

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—— ‘Violent translations: allegory, gender, and cultural nationalism in Ireland, 1796–1806’, Modern language quarterly, 59.1 (1998), 33–70.

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—— Jane Austen and the war of ideas. 1975. Oxford: Clarendon Press, 2002.

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Clery, E.J. ‘The genesis of “Gothic” fiction’, in Hogle (ed.), The Cambridge companion to gothic fiction, pp. 21–40.

—— ‘Introduction’, in The castle of Otranto, by Horace Walpole. Ed. W.S. Lewis . London: Oxford University Press, 1964, pp. vii–xvi.

—— The rise of supernatural fiction, 1762–1800. Cambridge, Cambridge University Press, 1995.

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—— A cultural history of the Irish novel, 1790–1829. Cambridge: Cambridge University Press, 2011.

—— ‘Irish Romanticism, 1800–1829’, in Kelleher and O’Leary (eds), The Cambridge history of Irish literature, pp. 407–48.

—— ‘The national tale’, in Garside and O’Brien (eds), The Oxford history of the novel in English, pp. 216–33.

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Di Placidi, Jenny . ‘C.D.H. or Catharine Day Haynes: a gothic author for the Lady's magazine and the Minerva Press’, The Lady’s magazine (1770–1818): understanding the emergence of a genre, 19 August 2015. https://blogs.kent.ac.uk/ladys-magazine/2015/08/19/c-d-h-or-catharine-day-haynes-a-gothic-author-for-the-ladys-magazine-and-the-minerva-press/, accessed 18 October 2016.

Donovan, Julie . Sydney Owenson, Lady Morgan and the politics of style. Palo Alto, CA: Academica Press, 2009.

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—— ‘ “Whom gentler stars unite”: fiction and union in the Irish novel’, Irish university review, 41.1 (2011), 183–95.

——, Moyra Haslett, and Ian Campbell Ross , eds. Irish fiction, 1660–1830, special issue of Irish university review, 41.1 (2011).

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—— ‘Walter Scott, James Hogg and Scottish gothic’, in David Punter (ed.), A companion to the gothic (London: Blackwell, 2001), pp. 70–80.

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—— The Romantic national tale and the question of Ireland. Cambridge: Cambridge University Press, 2002.

—— ‘Transformations of the novel – II’, in Chandler (ed.), The Cambridge history of English Romantic literature, pp. 473–89.

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—— ‘Popular fiction and national tale: hidden origins of Scott's Waverley’, Nineteenth-century literature, 46.1 (1991), 30–53.

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—— ‘Translation in distress: cultural misappropriation and the construction of the gothic’, European gothic: a spirited exchange 1760–1960. Ed. Avril Horner . Manchester: Manchester University Press, 2002, pp. 17–38.

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—— ‘Maturin's Catholic heirs: expanding the limits of Irish gothic’, in Morin and Gillespie (eds), Irish gothics, pp. 113–29.

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—— ‘Regina Maria Roche's The children of the abbey: contesting the Catholic presence in female gothic fiction’, Tulsa studies in women's literature, 31.1/2 (2012), 137–58.

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—— and Philip O’Leary , eds. The Cambridge history of Irish literature: volume 1, to 1890. Cambridge: Cambridge University Press, 2006.

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—— ‘Gothic and the Celtic Fringe, 1750–1850’, in Glennis Byron and Dale Townshend (eds), The gothic world. London: Routledge, 2013, pp. 38–50.

—— , ed. Ireland and Romanticism: publics, nations and scenes of cultural production. Basingstoke and New York: Palgrave Macmillan, 2011.

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—— ‘Origins of the Irish female gothic’, Bullán, 1.2 (1994), 34–45.

—— ‘Sex and sensation in the nineteenth-century Irish novel’, in Kelleher and Murphy (eds), Gender perspectives in nineteenth-century Ireland, pp. 83–92.

—— ‘ “Strangers at home”: political fictions by women in eighteenth-century Ireland’. Ph.D. dissertation, Princeton University Press, 1989.

—— ‘Terrific register: the gothicization of atrocity in Irish Romantic writing’. boundary 2, 31.1 (2004), 49–71.

—— , ‘The profession of letters, 1700–1810’, in Angela Bourke , Siobhán Kilfeather , Maria Luddy , Margaret Mac Curtain , Gerardine Meaney , Máirín Ní Dhonnchadha , Mary O’Dowd , and Clair Wills (eds), The Field Day anthology of Irish writing, vol. 5. Cork: Cork University Press, 2002, pp. 772–832.

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—— Gothic Ireland: horror and the Irish imagination in the long eighteenth century. Dublin: Four Courts Press, 2005.

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—— ‘The publication of Irish novels and novelettes, 1750–1829: a footnote on Irish gothic fiction’, Cardiff Corvey: reading the Romantic text, 10 (2003), 17–44. www.romtext.org.uk/articles/cc10_n02, accessed 4 October 2016.

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eISBN:
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Publisher:
Manchester University Press
Cover The gothic novel in Ireland, c. 1760–1829
Subjects:
Literature and Theatre
Keywords:
Irish literature; Gothic novel; Romanticism; National tale; Historical novel
Page Count:
246
Publisher:
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Cover Hartly House, Calcutta

Hartly House, Calcutta

Phebe Gibbes

Book

Publication History:

Online Publication Date:
13 Feb 2019
Subjects:
  1. Literature and Theatre
Available In:
Redeem Token

This novel is a designedly political document. Written at the time of the Hastings impeachment and set in the period of Hastings’s Orientalist government, Hartly House, Calcutta (1789) represents a dramatic delineation of the Anglo-Indian encounter. The novel constitutes a significant intervention in the contemporary debate concerning the nature of Hastings’s rule of India by demonstrating that it was characterised by an atmosphere of intellectual sympathy and racial tolerance. Within a few decades the Evangelical and Anglicising lobbies frequently condemned Brahmans as devious beneficiaries of a parasitic priestcraft, but Phebe Gibbes’s portrayal of Sophia’s Brahman and the religion he espouses represent a perception of India dignified by a sympathetic and tolerant attempt to dispel prejudice.
Cover Crossing borders and queering citizenship

Crossing borders and queering citizenship

Civic reading practice in contemporary American and Canadian writing

Author:
Zalfa Feghali

Book

Publication History:

Online Publication Date:
16 Apr 2019
Subjects:
  1. Literature and Theatre
Available In:
Redeem Token

Can reading make us better citizens? This book sheds light on how the act of reading can be mobilised as a powerful civic tool in service of contemporary civil and political struggles for minority recognition, rights, and representation in North America. Crossing borders and queering citizenship reimagines the contours of contemporary citizenship by connecting queer and citizenship theories to the idea of an engaged reading subject. This book offers a new approach to studying the act of reading, theorises reading as an integral element of the basic unit of the state: the citizen. By theorising the act of reading across borders as a civic act that queers citizenship, the book advances an alternative model of belonging through civic readerly engagement. Exploring work by seven US, Mexican, Canadian, and Indigenous authors, including Gloria Anzaldúa, Dorothy Allison, Gregory Scofield, Guillermo Gómez-Peña, Erín Moure, Junot Díaz, and Yann Martel, the book offers sensitive interpretations of how reading can create citizenship practices that foreground and value recognition, rights, and representation for all members of a political system.
Cover Tattoos in crime and detective narratives

Tattoos in crime and detective narratives

Marking and remarking

Editors:
Kate Watson
and
Katharine Cox

Book

Publication History:

Online Publication Date:
21 Jun 2019
Subjects:
  1. Literature and Theatre
Available In:
Redeem Token

Tattoos in crime and detective narratives: Marking and remarking examines representations of the tattoo and tattooing in literature, television and film, from two periods of tattoo renaissance (1851–1914, and around 1955 to the present). The collection reads tattoos and associated scarification, such as branding, as mimetic devices that mark and remark crime and detective narratives in complex ways. The chapters utilise a variety of critical perspectives drawn from posthumanism, spatiality, postcolonialism, embodiment and gender studies to read the tattoo as individual and community bodily narratives. The collection develops its focus from the first tattoo renaissance and considers the rebirth of the tattoo in contemporary culture through literature, children's literature, film and television. This book has a broad appeal and will be of interest to all literature and media scholars and, in particular, those with an interest in crime and detective narratives and skin studies.