Derval Tubridy
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Beckett, Feldman, Salcedo . . . Neither

This chapter situates its enquiry between the poles of negation, exploring the interstices between both by way of neither. Drawing together prose, music and sculpture, it investigates the role of nothing through three works called neither and Neither: Samuel Beckett's short text, Morton Feldman's opera, and Doris Salcedo's sculptural installation. Beckett, Feldman, Salcedo are each concerned with our response to silence, and the ways in which we can make audible, or visible that which cannot be expressed. Feldman's and Salcedo's formal responses to Beckett's text, each work echoing and reiterating the gridlike structure of his prose, provide a way to think about the negation inherent in these works. Through two works called Neither, each of them poised between alternatives about which a negative statement is made, Feldman and Salcedo respond to the challenge of a Beckettian aesthetic that situates itself between Malrauxian estrangement and Geulincxian negation.

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Beckett and nothing

Trying to understand Beckett



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