Catherine Laws
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Beckett and unheard sound

As Carla Locatelli perceives, silence becomes integral to Samuel Beckett's radical interrogation of language. His voices move beyond the Western cultural and philosophical positing of silence only as a lack, breaking through 'this farrago of silence and words of silence that is not silence'. In Beckett's early positing of Beethoven's ruptured music as a possible model for his own work, silence is composed in, defined still in terms of the cessation of sound, objectified for cognition, and evoked only by the act of listening for it. In some of Beckett's later texts, the picking away at the relationship between sound and silence leads to an alternative proposition: unheard sound. In late Beckett texts, silence is neither produced or banished intentionally; 'no sound' is not necessarily indicative of silence and meaninglessness, and the relationship between the presence of sound and its perception is uncertain.

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Beckett and nothing

Trying to understand Beckett



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