The issue of ethnicity in France, and how ethnicities are represented there visually, remains one of the most important and polemical aspects of French post-colonial politics and society. This is the first book to analyse how a range of different ethnicities have been represented across contemporary French visual culture. Via a wide series of case studies – from the worldwide hit film Amélie to France’s popular TV series Plus belle la vie – it probes how ethnicities have been represented across different media, including film, photography, television and the visual arts. Four chapters examine distinct areas of particular importance: national identity, people of Algerian heritage, Jewishness and France’s second city Marseille.
Figure
2.03Photograph showing the Electrical
Engineering (Zochonis) Building (right, J.S. Beaumont, 1953) and the more modern
Chemistry Building (left, H.S. Fairhurst & Sons, 1964) on Brunswick Street.
Beaumont’s building is more in the spirit of Worthington’s master plan for
the ‘Science Centre’. Its clumsy neo-Georgian style was seen as dated by
certain stakeholders (see Chapter 3).