Harriet Atkinson
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Bibliography

Bibliography

Archival sources and private papers

British Film Institute

British Library, St Pancras

National Sound Archives

Henry Moore Institute, Leeds

Betty Rea collection

Imperial War Museum

D series of Home Front photographs

Ministry of Information folder

Oral History collections

Leo Baeck Institution

Library of Congress, Washington

London Metropolitan Archives

LCC Architects’ Department collection

London Transport Museum Archives, Acton

Photographic collections

Marx Memorial Library

Mass Observation Archive www.amdigital.co.uk/collection/mass-observation-online

Museum of Domestic Design & Architecture, Middlesex

Charles Hasler collection

MOI Digital https://moidigital.ac.uk

Home Intelligence Reports

National Archives, Kew

Board of Trade BT54

Foreign Office FO945

Home Office HO334

Ministry of Information INF1

Prime Minister’s Office Records PREM

National Archives, Maryland

Office of War Information

People’s History Museum

Labour History Archive and Study Centre

RIBA Library, London

Ernö Goldfinger papers

Godfrey Samuel papers

Ove Arup papers

Royal Society of the Arts, London

Hans Schleger papers

Tate Archive

London Group collection

Artists Association collection

Felicia Browne collection

Klaus Hinrichsen collection

Julian Trevelyan collection

Transport for London Archives

Tyne & Wear Archives

University of Brighton Design Archives

F. H. K. Henrion collection

H. A. Rothholz collection

Brighton School of Art collection

Victoria & Albert Museum Archives of Art & Design

Misha Black collection

Warwick University Modern Records Centre Archives

Trades Union Congress papers

Wellcome Collection

Working Class Movement Library

Primary sources

Journals and periodicals

Action

Advertisers Weekly

Architect & Building News

Architects Journal

Architectural Association Journal

Architectural Review

Art and Industry

The Australian Quarterly

Bulletin of the British Anti-War Movement

COI Review

Commercial Art

Daily Mirror

Daily Worker

Design for Today

The Designer

Display

Forward

Imperial Institute Annual Report

International African Opinion

Jewish Chronicle

Journal of the National Smoke Abatement Society

Journal of the Royal Institute of British Architects

Journal of the Royal Society of Arts

Left Review

The Listener

The Manchester Guardian

Modern Publicity Commercial Art Annual

The New Leader

News Chronicle

The New Statesman and Nation

Picture Post

Printed Advertising

Shelf Appeal

Smokeless Air

The Spectator

The Star

The Studio

The Times

Weekend Review

Woman Today

Wood

Recorded sources

Hatts, Clifford, interview with the author, London, 2 May 2003

Hollis, Richard, interview with F. H. K. Henrion in 1986 Imperial War Museum Catalogue 9592/ 1986–11–12: www.iwm.org.uk/collections/item/object/80009378

Levin, Richard, interviewed by Norman Swallow and Alan Lawson on 3 September 1991: https://historyproject.org.uk/interview/richard-levin

Moro, Peter, interview with Louise Brodie, BL National Sound Archives

Thornycroft, Priscilla (Oral History, IWM catalogue number 31966): www.iwm.org.uk/collections/item/object/80031580

Published articles

Bayer, Herbert, ‘Aspects of Design of Exhibitions and Museums’, Curator: The Museum Journal, vol. 14, no. 3, 1961, pp. 257–88

Bayer, Herbert, ‘Fundamentals of Exhibition Design’, Production Manager, vol. 6, no. 2, 1937

Black, Misha, ‘Are Exhibition Designers Too Good to Be Good?’, Display: Design and Presentation, April 1949, pp. 18–19

Black, Misha, ‘The British Exhibition’, Graphis, March–April 1946, pp. 212–13

Kallmann, G. S., ‘The Wartime Exhibition’, Architectural Review, October 1943, pp. 95–106

Medley, Robert, ‘Hitler’s Art in Munich’, Axis, Early Winter 1937

Nash, Paul, ‘Finding a Living in Art To-day’, The Journal of Careers, vol. 12, no. 130, May 1933, pp. 5–8

Neurath, Marie, ‘An Isotype Exhibition on Housing’, Journal of RIBA, vol. 54, 1947, pp. 600–3

Neurath, Otto, ‘Health Education through Isotype’, The Lancet, 25 August 1945, pp. 236–43

Read, Herbert, ‘Picasso’s Guernica’, London Bulletin, no. 6, October 1938, p. 6 [reprinted in G. Schiff (ed.), Picasso in Perspective (Hoboken, NJ: Prentice Hall, 1976)]

Stargardt, A. W., ‘Allies inside Germany: The German Resistance Movement against Nazi-Fascism’, The Australian Quarterly, vol. 16, no. 3, September 1944, pp. 23–9

Tallents, Stephen, ‘The Birth of British Documentary’, Journal of the University Film Association, vol. 20, no. 1, 1968, pp. 15–21

Wheeler, Monroe, ‘A Note on the Exhibition’, The Bulletin of the Museum of Modern Art, vol. 9, nos. 5–6, June 1942, pp. 18–20

Published books

Ademola, Ade, ‘Colour Bar Notoriety in Britain’, in Nancy Cunard (ed.), Negro: Anthology Made by Nancy Cunard (London: Wishart and Co., 1934)

Art & Industry: Report of the Committee Appointed by the Board of Trade Under the Chairmanship of Lord Gorell on the Production and Exhibition of Articles of Good Design and Every-Day Use (London: HMSO, 1932)

Bernays, Edward L., Propaganda: The Public Mind in the Making (Port Washington, NY: Kennikat Press, 1928)

Bilbo, Jack, Jack Bilbo: An Autobiography (The first forty years of the complete and intimate life-story of an Artist, Author, Sculptor, Art Dealer, Philosopher, Psychologist, Traveller and a Modernist Fighter for Humanity) (self-published, 1948)

Bird, Francis, Press, Parliament and People (London: William Heinemann, 1946)

Black, Misha, ‘Design for Ceremony and Exhibitions’, in Herbert Read (ed.), The Practice of Design (London: Lund Humphries, 1946)

Black, Misha, Exhibition Design (London: Architectural Press, 1950)

Black, Misha, ‘Propaganda in Three Dimensions’ [1949], in Avril Blake (ed.), The Black Papers on Design: Selected Writings of the Late Sir Misha Black (Oxford: Pergamon Press, 1983)

Boswell, James, The Artist’s Dilemma (London: The Bodley Head, 1947)

Brockway, Fenner, Inside the Left (London: Allen & Unwin, 1942)

Bronowski, Jacob, The Common Sense of Science (London: Heinemann, 1951)

Clark, Kenneth, Another Part of the Wood: A Self Portrait (London: Hamish Hamilton, 1985)

Connolly, Cyril, Enemies of Promise (London: Routledge Kegan Paul, 1938)

Evans, Myfanwy (ed.), The Painter’s Object (London: Gerald Howe, 1937)

Games, Abram, Over My Shoulder (London: Studio, 1960)

Garfield, Simon, Our Hidden Lives: The Everyday Diaries of a Forgotten Britain 1945–1948 (London: Random House, 2004)

Gray, Milner, ‘A Century of Commercial Design 1851–1951’, in Designers in Britain, vol. 3 (London: Allan Wingate, 1951)

Hardy, Forsyth, John Grierson: On Documentary (London: Collins, 1946)

Havinden, Ashley, Advertising and the Artist (London: Studio Publications, 1956)

Higham, Charles, Looking Forward: Mass Education through Publicity (London: Nisbet, 1920)

Hinrichsen, Klaus, ‘Visual Art behind the Wire’, in David Cesarani and Tony Kushner (eds), The Internment of Aliens in Twentieth Century Britain (London: Frank Cass, 1993)

Huxley, Aldous, Brave New World (London: Chatto & Windus, 1932)

Kiesler, Frederick, Contemporary Art Applied to the Store and Its Display (London: Pitman, 1930)

Lambert, Richard S., Propaganda (London: Thomas Nelson & Sons, 1938)

Levin, Richard, Television by Design (London: Bodley Head, 1961)

Luckhurst, Kenneth, The Story of Exhibitions (London: Studio, 1951)

Martin, Kingsley, Editor: A Second Volume of Autobiography, 1931–45 (London: Hutchinson, 1968)

Mayor Gallery, Unit One: Spirit of the 30s, May–June 1984, exh. cat.

Mercer, F. A. and Grace Lovat Fraser (eds), Modern Publicity in War (London and New York: Studio Publications, 1941)

Middleton, M., Group Practice in Design (London: Architectural Press, 1967)

Moholy-Nagy, László, Painting Photography Film (London: Lund Humphries, 1986)

Moholy-Nagy, László, Vision in Motion (Chicago, IL: Hillison and Etten, 1947)

Moholy-Nagy, László, Von Material zu Architektur (Munich: Albert Langen Verlag, 1929) [published in English as The New Vision, 1932]

Moholy-Nagy, Sibyl, Experiment in Totality (New York: Harper and Brothers, 1950)

Naipaul, V. S., The Enigma of Arrival (New York: Alfred A. Knopf, 1987)

Nash, Paul, Room and Book (London: Soncino Press, 1932)

Neurath, Otto, From Hieroglyphics to Isotype (London: Hyphen Press, 2010)

Orwell, George, The Road to Wigan Pier (London: Left Book Club, 1937)

Penrose, Roland, Picasso: His Life and Work (London: Gollancz, 1958)

Pick, Beverley, Display and Presentation: Exhibitions, Window and Outdoor Display (London: C. Lockwood, 1957)

Ponsonby, Arthur, Falsehood in Wartime (London: Allen & Unwin, 1928)

Read, Herbert, Art and Industry: The Principles of Industrial Design (London: Faber & Faber, 1934)

Read, Herbert (ed.), Five on Revolutionary Art (London: Wishart, 1935)

Read, Herbert (ed.), Surrealism (London: Faber & Faber, 1936)

Robeson, Paul, Paul Robeson Speaks (Secaucus, NJ: Citadel, 1978)

Sartre, Jean-Paul, The Age of Reason (London: Penguin, 1967)

Schmidt, José, Lehre und Arbeit am Bauhaus 1919–32 (Dusseldorf: Marzona, 1984)

Summerson, John, ‘The MARS Group and the Thirties’, in John Bold and Edward Chaney (eds), English Architecture: Public and Private (London: The Hambledon Press, 1993)

Tallents, Stephen, The Projection of England (London: Faber & Faber, 1932)

Thoene, Peter, Modern German Art (London: Pelican, 1938)

Thomas, Adrian, ‘Exhibition Scripts’, in Misha Black, Exhibition Design (London: Architectural Press, 1950)

Trevelyan, Julian, Indigo Days: The Art and Memoirs of Julian Trevelyan (London: MacGibbon & Kee, 1957)

Uhlman, Fred, The Making of an Englishman (London: Gollancz, 1960)

Unit 1: The Modern Movement in English Architecture, Painting and Sculpture (London: Cassell, 1934)

Vorobyyov, K. I., ‘Museums in Industrial Enterprises’, translated by Caroline Rees in Arseny Zhilyaev (ed.), Avant-Garde Museology (Minneapolis, MN: University of Minnesota Press, 2015)

The War as Seen by Children catalogue published by Refugee Children’s Evacuation Fund, with a foreword by J. G. Siebert (London, Geo. Marshall & Co., n.d.)

War Pictures at the National Gallery, London (London: National Gallery, 1944)

Williams, Eric, The Negro in the Caribbean (Washington: The Associates in Negro Folk Education, 1942)

Woolf, Virginia, Three Guineas (New York: Harcourt, Brace & Co., 1938)

Secondary sources

Acland, Charles R. and Haidee Wasson, Useful Cinema (Durham, NC: Duke University Press, 2012)

Albera, Francois and Maria Tortajada, Cinema beyond Film (Amsterdam: Amsterdam University Press, 2010)

Anthony, Scott, Public Relations and the Making of Modern Britain (Manchester: Manchester University Press, 2012)

Anthony, Scott and James G. Mansell, The Projection of Britain: A History of the GPO Film Unit (London: Palgrave Macmillan, 2011)

Appadurai, Arjun, ‘The Production of Locality’, in Richard Fardon (ed.), Counterworks: Managing the Diversity of Knowledge (Abingdon: Routledge, 1995)

Aral, Jenna Lundin, ‘Information as Spectacle: Second World War Exhibitions by the Ministry of Information’, Journal of Design History, vol. 31, issue 1, February 2018

Atkinson, Harriet, The Festival of Britain: A Land and Its People (London: I.B. Tauris, 2012)

Atkinson, Harriet, ‘“The First Modern Townscape”? The Festival of Britain, Townscape and New Picturesque’, in John Pendlebury et al. (eds), Alternative Visions of Post-War Reconstruction: Creating the Modern Townscape (Abingdon: Routledge, 2014)

Atkinson, Harriet, ‘“Lines of Becoming” Misha Black and Entanglements through Exhibition Design’, Journal of Design History, vol. 34, issue 1, March 2021

Atkinson, Harriet and Verity Clarkson (eds), ‘Design as an Object of Diplomacy Post-1945’, Design and Culture, vol. 9, no. 2, 2017

Atkinson, Harriet, ‘Visual storytelling in the Ministry of Information’s wartime exhibitions’, in Beatriz Lopez, James Smith and Guy Ward (eds), British Writing, Propaganda and Cultural Diplomacy in the Second World War and Beyond (London: Bloomsbury Academic, 2024).

Atkinson, Harriet, Verity Clarkson and Sarah Lichtman (eds), Exhibitions beyond Boundaries (London: Bloomsbury Academic, 2022)

Aulich, Jim, War Posters: Weapons of Mass Communication (London: Thames & Hudson, 2011)

Aynsley, Jeremy, Designing Modern Germany (London: Reaktion, 2009)

Aynsley, Jeremy, Graphic Design in Germany 1890–1945 (London: Thames & Hudson, 2000)

Aynsley, Jeremy, ‘Pressa Cologne, 1928: Exhibitions and Publication Design in the Weimar Period’, Design Issues, vol. 10, no. 3, Autumn 1994

Azoulay, Ariella, The Civil Contract of Photography (New York: Zone Books, 2008)

Baker, Michael H. C., London Transport in the 1930s (Hersham: Ian Allan, 2007)

Bakhtin, Mikhail, Rabelais and His World (Bloomington, IN: Indiana University Press, 1984)

Bal, Mieke, Double Exposures: The Subject of Cultural Analysis (London: Routledge, 1996)

Barron, Stephanie and Sabine Eckmann (eds), Exiles & Emigrés: The Flight of European Artists from Hitler (New York: Harry N. Abrams, 1997)

Barthes, Roland, Image-Music-Text (London: Fontana, 1977)

Barthes, Roland, Mythologies (London: Jonathan Cape, 1972)

Baudrillard, Jean, Simulacra and Simulation (London: Semiotext(e), 1981)

Benjamin, Walter, One-Way Street and Other Writings (London: Harcourt Brace Jovanovich, 1978)

Benjamin, Walter, ‘The Work of Art in the Age of Mechanical Reproduction’, in Illuminations (London: Bodley Head, 2015)

Bennett, Tony, ‘The Exhibitionary Complex’, New Formations, vol. 4, Spring 1988

Berger, John, Understanding a Photograph (London: Penguin, 2013)

Berman, Marshall, All That Is Solid Melts into Air (London: Verso, 1983)

Berridge, Kate, Madame Tussaud: A Life in Wax (New York: W. Morrow, 2006)

Black, Jonathan, ‘For the People’s Good: Hans Schleger (1898–1976), Poster Design and British National Identity, 1935–60’, Visual Culture in Britain, vol. 13, no. 2, 2012

Black, Naomi, Virginia Woolf as Feminist (Ithaca, NY: Cornell University Press, 2004)

Blake, Avril, Misha Black (London: Design Council, 1984)

Blake, Jody, ‘The Truth about the Colonies, 1931: Art Indigene in Service of the Revolution’, Oxford Art Journal, vol. 25, no. 1, 2002

Bohm-Duchen, Monica, Art in Exile in Great Britain 1933–45 (London: Belmont Press, 1986)

Bohm-Duchen, Monica (ed.), Insiders Outsiders: Refugees from Nazi Europe and Their Contribution to British Visual Culture (London: Lund Humphries, 2019)

Borchardt-Hume, Achim (ed.), Albers and Moholy-Nagy: From the Bauhaus to the New World (London: Yale University Press, 2006)

Bornstein, George, Material Modernism: The Politics of the Page (Cambridge: Cambridge University Press, 2001)

Borthwick, Alistair, The Empire Exhibition Fifty Years On (Edinburgh: Mainstream Publishing, 1988)

Bourdieu, Pierre, ‘Forms of Capital’, in J. E. Richardson (ed.), Handbook of Theory of Research for the Sociology of Education (Westport, CT: Greenwood Press, 1986)

Bowness, Sophie and Clive Phillpot, Britain at the Venice Biennale 1895–1995 (London: The British Council, 1995)

Bradshaw, David, ‘British Writers and Anti-Fascism in the 1930s’, Part I, Woolf Studies Annual, vol. 3, 1997; Part II, Woolf Studies Annual, vol. 4, 1998

Breakell, Sue, ‘“The Exercise of a Peculiar Art-Skill”: Kenneth Clark’s Design Advocacy and the Council of Industrial Design’, Visual Culture in Britain, vol. 16, no. 1, 2015

Breakell, Sue, ‘Exhibiting “The Taste of Everyday Things”: Kenneth Clark and CEMA’s Wartime Exhibitions of Design’, in Liz Farrelly and Joanna Weddell (eds), Design Objects and the Museum (London: Bloomsbury, 2016)

Brimblecombe, Peter, The Big Smoke: A History of Air Pollution since Medieval Times (London and New York: Routledge, 1988)

Brinson, Charmian and Richard Dove, A Matter of Intelligence: M15 and the Surveillance of Anti-Nazi Refugees, 1933–50 (Manchester: Manchester University Press, 2015)

Brinson, Charmian and Richard Dove (eds), Politics by Other Means: The Free German League of Culture in London, 1939–1946 (London: Vallentine Mitchell, 2010)

Brinson, Charmian and Richard Dove (eds), Working for the War Effort: German-speaking Exiles in the Performing Arts in Britain after 1933 (Elstree: Valentine Mitchell, 2021)

Britton, S., ‘“Come and see the empire by the all red route!”: Anti-imperialism and Exhibitions in Inter-war Britain’, History Workshop Journal, vol. 69, no. 1, 2010

Brown, David, ‘Refugee Artists in Great Britain’, Art and Artists, April 1984

Buchanan, Tom, ‘The Lost Art of Felicia Browne’, History Workshop Journal, issue 54, 2002

Buchloh, Benjamin H. D., ‘From Faktura to Factography’, October, no. 30, Autumn 1984

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Burke, C., E. Kindel and S. Walker, Isotype Design and Contexts, 1925–1971 (London: Hyphen Press, 2014)

Bush, Barbara, Representing Empire (Abingdon: Routledge, 2006)

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Campbell, Louise, ‘The MARS Group, 1933–1939’, RIBA Transactions, issue no. 8, vol. 4, no. 2, 1985

Carline, Richard, ‘John Heartfield in England’, in John Heartfield 1891–1968: Photomontages (London: Arts Council of Great Britain, 1969)

Carullo, Valeria, Moholy-Nagy in Britain, 1935–7 (London: Lund Humphries, 2019)

Castillo, Greg, Cold War on the Home Front: The Soft Power of Midcentury Design (Minneapolis, MN: Minnesota University Press, 2009)

Cesarani, David and Tony Kushner (eds), The Internment of Aliens in Twentieth Century Britain (London: Frank Cass, 1993)

Chantrell, Glynnis (ed.), The Oxford Dictionary of Word Histories (Oxford: Oxford University Press, 2002)

Chapman, James, The British at War: Cinema, State and Propaganda, 1939–45 (London: I.B. Tauris, 2011)

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Clark, Toby, Art and Propaganda in the Twentieth Century: The Political Image in Mass Culture (London: Weidenfeld & Nicolson, 1997)

Clarke, Gill, Conflicting Views: Pacifist Artists (Bristol: Sansom & Co., 2018)

Coe, P. and M. Reading, Lubetkin and Tecton: Architecture and Social Commitment (London: Arts Council, 1981)

Cohen, Jean-Louis, Architecture in Uniform: Designing and Building for the Second World War (Paris: Canadian Centre for Architecture, 2011)

Cohen, Scott, ‘The Empire from the Street: Virginia Woolf, Wembley, and Imperial Monuments’, Modern Fiction Studies, vol. 50, no. 1, Spring 2004

Colomina, Beatriz, Privacy and Publicity: Modern Architecture as Mass Media (Cambridge, MA and London: MIT Press, 1996)

Colpus, Eve, Female Philanthropy in the Interwar World (London: Bloomsbury, 2018)

Condell, Caitlin and Emily M. Orr (eds), E. McKnight Kauffer, The Artist in Advertising (New York: Rizzoli Electa, 2020)

Corthorn, Paul, ‘Labour, the Left and the Stalinist Purges of the Late 1930s’, The Historical Journal, vol. 48, no. 1, March 2005

Cowling, Elizabeth Visiting Picasso: The Notebooks and Letters of Roland Penrose (London: Thames & Hudson, 2006)

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Crampsey, Bob, The Empire Exhibition of 1938: The Last Durbar (Edinburgh: Mainstream, 1988)

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Danchev, Alex (ed.), 100 Artists’ Manifestos (London: Penguin, 2011)

Darling, Elizabeth, ‘“Enriching and enlarging the whole sphere of human activities”: The Work of the Voluntary Sector in Housing Reform in Inter-War Britain’, in Christopher Lawrence and Anna-K. Mayer (eds), Regenerating England: Science, Medicine and Culture in Inter-War Britain (Leiden: Brill, 2000)

Darling, Elizabeth, ‘Institutionalizing English Modernism 1924–33: From the Vers Group to MARS’, Architectural History, vol. 55, 2012

Darling, Elizabeth, Re-forming Britain: Narratives of Modernity before Reconstruction (London: Routledge, 2007)

Darling, Elizabeth, ‘“The star in the profession she invented for herself”: A Brief Biography of Elizabeth Denby, Housing Consultant’, Planning Perspectives, vol. 20, July 2005

Darling, Elizabeth, ‘“To induce humanitarian sentiments in prurient Londoners”: The Propaganda Activities of London’s Voluntary Housing Associations in the Inter-War Period’, The London Journal, vol. 27, no. 1, 2002

Dean, David, The Architect as Stand Designer: Building Exhibitions 1895–1983 (London: Scolar, 1985)

Deepwell, Katy, ‘Anti-fascist Activities amongst Women Artists in the 1930s in Britain’, in Concha Lomba Serrano and Alberto Castán Chocarro (eds), Las mujeres en el sistema artístico (1804–1939)/Women in the Art Scene (1804–1939) (Madrid: Universidad de Madrid, 2022)

Deepwell, Katy, Women Artists between the Wars: ‘A fair field and no favour’ (Manchester: Manchester University Press, 2010)

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de Smet, Catherine, Le Corbusier Penseur du Musée (Paris : Flammarion, 2019)

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Driver, Felix and David Gilbert, ‘Capital and Empire: Geographies of Imperial London’, GeoJournal, vol. 51, nos. 1/2: European Capital Cities, 2000

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Hayum, Andree, ‘Mussolini Exports the Renaissance: The Burlington House Exhibition of 1930 Revisited’, The Art Bulletin, vol. 101, no. 2, 2019

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