Pablo de Orellana
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Figures

1.1 Portrait of (left to right) Duke Cesare Borgia, Cardinal Bandinello Sauli, Segretario della Repubblica di Firenze Niccolò Machiavelli, and Borgia’s trusted assassin Michele di Corella, by Sebastiano del Piombo, 1516. Image from Wikimedia Commons. xiv
1.2 A diplomat terribly concerned about accurate diplomatic descriptions. Ernest Satow in 1903, from his book A Diplomat in Japan, p. 63. Image from Wikimedia Commons. 10
1.3 The unexpected diplomat on mission. Spanish Navy Captain Adolfo Calles returning to Spain, 1959. Photograph courtesy of the Capitán Adolfo Calles Archive. 13
3.1 Three steps to analyse representation in diplomatic text. Arrows denote where representations (signposted by their topoi) are observed to have crossed over from one text to another. Diagram by Tally de Orellana. 59
3.2 Diagram of step 1 of this method: mapping reporting pathways. Boxes indicate institutions in France, in colonial Indochina, and abroad. Straight lines indicate reporting and instruction pathways. Diagram by Tally de Orellana. 79
3.3 Diagram of step 2 of this method: reading how texts represent subjects and their contexts. Text is from Archive Georges Bidault, AN, author’s photographs. Composite diagram by Tally de Orellana. 80
3.4 Diagram of step 3 of this method: tracing the evolution of representations. Photos of documents from AN, MAE, Archive Sainteny, and NARA, author’s photographs. Composite diagram by Tally de Orellana. 82
4.1 Diagram of diplomatic knowledge production pathways by institutions studied. Lines denote channels of reporting and instructions. Vertical lines denote hierarchy. Dotted line divides institutions at home, above, from those abroad, below. Diagram by Tally de Orellana. 96
4.2 Map of colonial Indochina showing subdivisions. Image from Wikimedia Commons. 98
4.3 Infographic accompanying an article titled ‘Comniform is in sight for Southeastern Asia’, New York Times, July 1948. 113
4.4 2 September 1945 declaration of Vietnamese independence in Hanoi, photographed by Jean Sainteny. Archive Sainteny. 126
4.5 Diagrammatic summary of the evolution of representations traced from 1948 back to 1945. Diagram by Fey Marin and Tally de Orellana. 129
5.1 Diagram of diplomatic knowledge production pathways by institutions studied. Lines denote channels of reporting and instructions. Vertical lines denote hierarchy. Dotted line divides institutions at home, above, from those abroad, below. Diagram by Tally de Orellana. 153
5.2 Screenshot of map featured in moroccoonthemove.com. 174
5.3 Diagrammatic summary of the evolution of key representations traced from 2010 back to 2003. 188
5.4 8 November 2010: Moroccan police (foreground) and military move to dismantle the protest camp (far background) in al-’Ayun. Note the Moroccan flags and royal portrait. This is one of very few photos of that day’s events as the Gendarmerie banned photography, recordings, and journalists. Courtesy of Associazione El Ouali per la libertà del Sahara Occidentale, Italia. 192
6.1 Left: the author about to report to the Segretario di Stato. Right: the offices of the Florentine Republic, including Machiavelli’s diplomacy-focused Second Secretariat of State, both at the Palazzo Vecchio. Photographs by Fey Marin, 2023. 207
6.2 Architecture of a representation of Vietminh as analysed in Chapter 4. 211
6.3 Planes of emergence in representations of POLISARIO and Morocco studied in Chapter 5. 212
6.4 Unstable French representations 1945–47. 214
6.5 Stabilisation of French representations from late 1947. 215
6.6 Epistemological constitution of subjectivity in diplomatic text. 218
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Hand of the prince

How diplomacy describes subjects, territory, time, and norms

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