List of figures

Figures

1 ‘Marriage of an Italian to two Mapuche’, postcard commissioned by Carlos Brandt, end of nineteenth century. Photographer unknown. 8
2 Restaging of the photograph ‘Marriage of an Italian to two Mapuche’. December 2018. Ph. © Nicola Mazzuia 9
3 Audio-guides and maps distribution for the play Santiago Waria. December 2018. Ph. © Nicola Mazzuia 49
4 Quinta Normal. Graphic elaboration from Google Earth. © Nicola Mazzuia 53
5 Photographic restaging of Munizaga’s pictures. Quinta Normal Workshop. July 2018. Ph. © Olivia Casagrande 58–59
6 Mapuche couple, 1960. Reproduced in Munizaga 1961, Sheet III. Courtesy of the Revista Chilena de Antropología 60
7 Mapuche couple. Photographic restaging of Munizaga’s pictures. Quinta Normal Workshop. July 2018. Ph. © Olivia Casagrande 60
8 Two Mapuche men talking, 1960. Reproduced in Munizaga 1961, Sheet III. Courtesy of the Revista Chilena de Antorpología 60
9 Two Mapuche men talking. Photographic restaging of Munizaga’s pictures. Quinta Normal Workshop. July 2018. Ph. © Olivia Casagrande 60
10 El Jardín art installation by Colectivo MapsUrbe MapsUrbe exhibition. December 2018. Ph. © Nicola Mazzuia 63
11 El Jardín art installation by Colectivo MapsUrbe detail. MapsUrbe exhibition. December 2018. Ph. © Nicola Mazzuia 64
12 El Jardín art installation by Colectivo MapsUrbe detail. Graphic elaboration. © Nicola Mazzuia 67
13 Araucaria Tree. Graphic elaboration. © Nicola Mazzuia 70
14 Two Mapuche men talking. Photographic restaging of Munizaga’s pictures. Graphic elaboration. © Nicola Mazzuia 73
15 Two Mapuche men talking. Photographic restaging of Munizaga’s pictures. Graphic elaboration. © Nicola Mazzuia 77
16 Collage work from the photographic series Mapocho by Nicola Mazzuia. © Colectivo MapsUrbe. The writings translate as ‘Pedro is falling down’ and ‘where are we?’ 89
17 Plaza de Armas. Graphic elaboration from Google Earth. © Nicola Mazzuia 97
18 Plaza de Armas’ scale model. Museo Histórico Nacional. Courtesy of the Museo Histórico Nacional 101
19 Illustration ‘La ciudad de Santiago de Chile’ (the city of Santiago de Chile) from Nueva Crónica y Buen Gobierno Felipe Guaman Poma de Ayala, 1600. Cultural Commons. 103
20 Intervention around Pedro de Valdivia statue. Plaza de Armas Workshop. March 2018. Ph. © Roberto Cayuqueo Martínez 106
21 Intervention around Pedro de Valdivia statue, detail. Plaza de Armas Workshop. March 2018. Ph. © Roberto Cayuqueo Martínez 106
22 Performance with Pedro de Valdivia statue by Dania Quezada Vidal, under the horse. Plaza de Armas Workshop. March 2018. Ph. © Roberto Cayuqueo Martínez 110–111
23 Performance with Pedro de Valdivia statue by Dania Quezada Vidal, in front of the cathedral. Plaza de Armas Workshop. March 2018. Ph. © Roberto Cayuqueo Martínez 110–111
24 Performance with Pedro de Valdivia statue by Dania Quezada Vidal, pulling away from Pedro de Valdivia. Plaza de Armas Workshop. March 2018. Ph. © Roberto Cayuqueo Martínez 115
25 Performance with Pedro de Valdivia statue by Dania Quezada Vidal, the scribbled mask. Plaza de Armas Workshop. March 2018. Ph. © Roberto Cayuqueo Martínez 115
26 Supported palm tree in Plaza de Armas. Graphic elaboration. © Nicola Mazzuia 117
27 The rescued ‘head of Leftraru’. Ph. © Martín Llancaman 119
28 Intervention around the Monumento a los pueblos indígenas by Enrique Villalobos. Graphic elaboration. © Nicola Mazzuia 121
29 Pedro de Valdivia equestrian statue. Plaza de Armas. Graphic elaboration © Nicola Mazzuia 127
30 Collage work from the photographic series Mapocho by Nicola Mazzuia. © Colectivo MapsUrbe 135
31 Plaza Inés de Suarez, Providencia. Graphic elaboration from Google Earth. © Nicola Mazzuia 143
32 A map of Mapuche women’s trajectories in upper-class sectors, Providencia. Graphic elaboration from Google Maps. © Nicola Mazzuia 147
33 Apron. Ph. © Olivia Casagrande 150
34 ‘… es como de la familia’, art installation by Colectivo MapsUrbe. MapsUrbe exhibition. December 2018. Ph. © Nicola Mazzuia 155
35 Intervention in upper-class sectors. Providencia Workshop. July and October 2018. Ph. © Colectivo MapsUrbe 157
36 Intervention in upper-class sectors. Graphic elaboration. © Nicola Mazzuia 159
37 Writing with chalk. Intervention in upper-class sectors. Providencia Workshop. October 2018. Ph. © Colectivo MapsUrbe 161
38 Erasure. Intervention in upper-class sectors. Providencia Workshop. October 2018. Ph. © Colectivo MapsUrbe 161
39 Apron. Graphic elaboration. © Nicola Mazzuia 166
40 Comandante Boliviano. Portrait. Ph. © Antil 169
41 Comandante Boliviano. Portrait. Ph. © Antil 172–173
42 Comandante Boliviano. Portrait. Ph. © Antil 176
43 Collage work from the photographic series Mapocho by Nicola Mazzuia. © Colectivo MapsUrbe. The writing translates as ‘we will win’ 185
44 Santa Lucía / Welen Hill. Graphic elaboration from Google Earth. © Nicola Mazzuia 193
45 View of Santiago city centre from the Santa Lucía / Welen Hill. Vicuña Mackenna is at the centre of the picture. Álbum del Santa Lucía, 1974. Cultural Commons. 195
46 Santa Lucía / Welen Hill. Caupolicán statue. Ph. © Nicola Mazzuia 195
47 Map of the site-specific theatre play Santiago Waria. Graphic elaboration. © Nicola Mazzuia 205
48 Caupolicán statue. Graphic elaboration. © Nicola Mazzuia 209
49 Caupolicán statue. Graphic elaboration. © Nicola Mazzuia 215
50 Comandante Boliviano. Portrait. Graphic elaboration. © Nicola Mazzuia 218
51 Comandante Boliviano. Portrait. Graphic elaboration. © Nicola Mazzuia 221
52 David Aniñir Guiltraro performance. Graphic elaboration. © Nicola Mazzuia 224
53 Quinta Normal Extension document. From Breve reseña sobre la Quinta Normal de Agricultura 1901, by René F. Le Feuvre. Chilean National Library Collection. Cultural Commons 243
54 View of the Quinta Normal Park. From Breve reseña sobre la Quinta Normal de Agricultura 1901, by René F. Le Feuvre. Chilean National Library Collection. Cultural Commons 246
55 Mapuche couple, 1960. Reproduced in Munizaga 1961, Sheet III. Courtesy of the Revista Chilena de Antropología 248
56 Mapuche couple, Quinta Normal. Santiago Waria. December 2018. Ph. © Nicola Mazzuia 258
57 Final scene, Santa Lucía / Welen Hill. Santiago Waria. December 2018. Ph. © Nicola Mazzuia 263
58 Sonidos bajo el cemento, joyería Mapuche urbana. Miñche kura pülli ñi awkiñ, Warian Rütran. Art installation by Cynthia Niko Salgado Silva. MapsUrbe exhibition. December 2018. Ph. © Nicola Mazzuia 267
59 Sonidos bajo el cemento, joyería Mapuche urbana. Miñche kura pülli ñi awkiñ, Warian Rütran. Art installation by Cynthia Niko Salgado Silva, detail. MapsUrbe exhibition. December 2018. Ph. © Nicola Mazzuia 269
60 Sonidos bajo el cemento, joyería Mapuche urbana. Miñche kura pülli ñi awkiñ, Warian Rütran. Art installation by Cynthia Niko Salgado Silva, detail. MapsUrbe exhibition. December 2018. Ph. © Nicola Mazzuia 270
61 A map of Mapuche women’s trajectories in upper-class sectors, Providencia. Graphic elaboration from Google Maps. © Colectivo MapsUrbe 276
62 Intervention in upper-class sectors. Providencia Workshop. July and October 2018. Ph. © Colectivo MapsUrbe 279
63 Intervention in upper-class sectors. Providencia Workshop. July and October 2018. Ph. © Colectivo MapsUrbe 284
64 Monumento a los pueblos indígenas by Enrique Villalobos. Plaza de Armas. Ph. © Nicola Mazzuia 287
65 Cabeza de Indio, art installation by Antil, detail. MapsUrbe exhibition. December 2018. Ph. © Nicola Mazzuia 290
66 Cabeza de Indio, art installation by Antil, detail. MapsUrbe exhibition. December 2018. Ph. © Nicola Mazzuia 291
67 Cabeza de Indio, art installation by Antil, detail. MapsUrbe exhibition. December 2018. Ph. © Nicola Mazzuia 292
68 Cabeza de Indio, art installation by Antil, detail. MapsUrbe exhibition. December 2018. Ph. © Nicola Mazzuia 293
69 Cabeza de Indio, art installation by Antil, detail. MapsUrbe exhibition. December 2018. Ph. © Nicola Mazzuia 294
70 Cabeza de Indio, art installation by Antil, detail. MapsUrbe Exhibition. Decemeber 2018. Ph. © Nicola Mazzuia 295
71 La Indiá, video installation by Puelpan, detail. MapsUrbe exhibition. December 2018. Ph. © Nicola Mazzuia 298
72 La Indiá, video installation by Puelpan, detail. MapsUrbe exhibition. December 2018. Ph. © Nicola Mazzuia 305
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Performing the jumbled city

Subversive aesthetics and anticolonial indigeneity in Santiago de Chile

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