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List of figures

Figures

0.1 Map of the favelas of Maré, Rio de Janeiro, Brazil, showing safe and unsafe areas and those of ‘power’ (cartography by Steven Bernard; adapted from McIlwaine et al., 2023b) page 9
0.2a Distribution of Brazilians in London, 2011 (credit: ONS Census 2011, Office for National Statistics © Crown Copyright 2013; credit: Ed Oliver; adapted from McIlwaine and Evans, 2018) 10
0.2b Distribution of Brazilians in the UK, 2011 (credit: ONS Census 2011, Office for National Statistics © Crown Copyright 2013; credit: Ed Oliver; adapted from McIlwaine and Evans, 2018) 11
0.3 The ‘city of nails’ as part of SCAR at the WOW Festival, 2018 (credit: André Camara) 16
0.4 Flyer for Efêmera at Brighton Fringe Festival, 2018 (credit: Eloise Carles) 17
0.5 Making the multimedia video installation We Still Fight in the Dark by MinA, 2021, and artist Nina Franco (credit: Renata Peppl) 18
0.6 Women Resisting Violence podcast with LAB (credit: Lilophilia/Liliana A. Romero) 19
1.1 The transnational gendered urban violence continuum 41
1.2 The translocational gendered urban violence framework 43
2.1 Inside SCAR at the WOW Festival (credit: André Camara) 67
2.2 Entry vestibule to SCAR at the WOW Festival (credit: André Camara) 69
2.3 On-stage violence in Efêmera by Gaël Le Cornec (credit: Luciana Whitaker Aikins) 72
2.4 Film poster for Ana by Gaël Le Cornec (credit: Eloise Carles) 74
2.5 Observational drawing from a focus group with six women (credit: Mila de Choch; adapted from McIlwaine et al., 2022c) 79
2.6 Body-territory map by Lívia (cis, preta, lesbian woman living in Morro do Timbau, thirty-six years old) (adapted from Lopes-Heimer et al., 2022) 81
2.7 Priscila Monteiro de Andrade, actress and psychologist, speaking about her life in Maré as part of the Female Lives Exhibition by the Museum of the Person (credit: Paula Santos; adapted from McIlwaine et al., 2022b) 83
2.8 Making We Still Fight in the Dark with MinA, London, with artwork by Nina Franco (credit: Renata Peppl) 85
2.9 Producing the multilingual Women Resisting Violence podcast with the LAB (credit: Louise Morris) 88
3.1 Incidence of gender-based violence by favela and public/private sphere in Maré (per cent) (credit: cartography by Steven Bernard; adapted from McIlwaine et al., 2023b) 95
3.2 Participatory mapping of service provision for women in Maré (adapted from McIlwaine et al., 2023b) 111
4.1 Rafael Feistosa speaking about her life in Maré as part of the Female Lives Exhibition by the Museum of the Person (credit: Paula Santos; adapted from McIlwaine et al., 2022b) 121
4.2 Embodying intimate partner violence on stage in Efêmera by Gaël Le Cornec (credit: Luciana Whitaker Aikins) 132
4.3 Animation from Raising Awareness of Violence against Brazilian Women in London video (animation by Francesca de Bassa, directed by Aida Baneres) (credit: People’s Palace Projects/YouTube) 133
5.1 Body-territory map by Fatima (preta trans woman living in Morro do Timbau, thirty-six years old) (adapted from Lopes-Heimer et al., 2022) 147
5.2 Bia Lessa with the toy soldiers that form part of the SCAR installation, 2018 (credit: André Camara) 150
5.3 Animation from Raising Awareness of Violence against Brazilian Women in London video (animation by Francesca de Bassa, directed by Aida Baneres) (credit: People’s Palace Projects/YouTube) 159
5.4 Observational drawing of a focus group in Maré on ‘the subtleties of normalised oppression in everyday life’ (credit: Mila de Choch; adapted from McIlwaine et al., 2022c) 161
6.1 Formal and informal reporting of gender-based violence in Maré by favela (credit: cartography by Steven Bernard; adapted from McIlwaine et al., 2023b) 171
6.2 Comments on not reporting gender-based violence from one of the focus groups (credit: Mila de Choch; adapted from McIlwaine et al., 2022c) 173
6.3 Roseni Oliveira speaking about her life in Maré as part of the Female Lives Exhibition by the Museum of the Person (credit: Paula Santos; adapted from McIlwaine et al., 2022b) 176
6.4 Institutional mapping of disclosure and reporting of gender-based violence; designed by three Brazilian women aged thirty-two–seventy-two from Rio de Janeiro and Minas Gerais (adapted from McIlwaine and Evans, 2018) 179
6.5 Animation from Raising Awareness of Violence against Brazilian Women in London video (animation by Francesca de Bassa, video directed by Aida Baneres) (credit: People’s Palace Projects/YouTube) 187
7.1 Observational drawing of a focus group in Maré on ‘the pyramid of oppression’ (credit: Mila de Choch; adapted from McIlwaine et al., 2022c) 197
7.2 Body-territory map by Neide (parda transgender woman living in Nova Holanda, thirty-two years old) (adapted from Lopes-Heimer et al., 2022) 198
7.3 Observational drawing of a focus group in Maré on ‘we have the right to take care of ourselves; we already take care of everyone else’ (credit: Mila de Choch; adapted from McIlwaine et al., 2022c) 200
7.4 Lenice Silva Viegas speaking about her life in Maré as part of the Female Lives Exhibition by the Museum of the Person (credit: Paula Santos; adapted from McIlwaine et al., 2022b) 206
7.5 Participatory flow diagram on how to address gender-based violence; designed by three Brazilian women from São Paulo and Rio de Janeiro aged thirty-two–thirty-eight (adapted from McIlwaine and Evans, 2018) 210
7.6 Visitors’ reactions to the Dignity and Resistance exhibition, London, May 2022 215
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Gendered urban violence among Brazilians

Painful truths from Rio de Janeiro and London

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