Heritopia

This book presents a study of material images and asks how an appreciation of the making and unfolding of images and art alters archaeological accounts of prehistoric and historic societies. With contributions focusing on case studies including prehistoric Britain, Scandinavia, Iberia, the Americas and Dynastic Egypt, and including contemporary reflections on material images, it makes a novel contribution to ongoing debates relating to archaeological art and images. The book offers a New Materialist analysis of archaeological imagery, with an emphasis on considering the material character of images and their making and unfolding. The book reassesses the predominantly representational paradigm of archaeological image analysis and argues for the importance of considering the ontology of images. It considers images as processes or events and introduces the verb ‘imaging’ to underline the point that images are conditions of possibility that draw together differing aspects of the world. The book is divided into three sections: ‘Emergent images’, which focuses on practices of making; ‘Images as process’, which examines the making and role of images in prehistoric societies; and ‘Unfolding images’, which focuses on how images change as they are made and circulated. The book features contributions from archaeologists, Egyptologists, anthropologists and artists. The contributors to the book highlight the multiple role of images in prehistoric and historic societies, demonstrating that archaeologists need to recognise the dynamic and changeable character of images.

This book is the first monograph-length investigation of innovation and the innovation process from an archaeological perspective. We live in a world where innovation, innovativeness, creativity, and invention are almost laughably over-used buzzwords. Yet comparatively little research has been carried out on the long-term history of innovation beyond and before the Industrial Revolution. This monograph offers both a response and a sort of answer to the wider trans-disciplinary dialogue on innovation, invention, and technological and social change. The idea of innovation that permeates our popular media and our political and scientific discourse is set against the long-term perspective that only archaeology can offer in dialogue with a range of social theory about the development of new technologies and social structures. The book offers a new version of the story of human inventiveness from our earliest hominin ancestors to the present day. In doing so, it challenges the contemporary lionization of disruptive technologies, while also setting the post-Industrial-Revolution innovation boom into a deeper temporal and wider cultural context. It argues that the present narrow focus on pushing the adoption of technical innovations ignores the complex interplay of social, technological, and environmental systems that underlies truly innovative societies; the inherent connections between new technologies, technologists, and social structure that give them meaning and make them valuable; and the significance and value of conservative social practices that lead to the frequent rejection of innovations.

Combining approaches to ancient Egyptian religious expression, medical practice and the modern scientific study of human and material remains from Egypt and Sudan, this volume celebrates the multidisciplinary career of Prof Rosalie David OBE. The UK’s first female Professor in Egyptology, Rosalie David’s pioneering work at the University of Manchester on Egyptian mummies, magic and medicine has attracted international attention.

This volume presents research by a number of leading experts in their fields: recent archaeological fieldwork, new research on Egyptian human remains and unpublished museum objects along with reassessments of ancient Egyptian texts concerned with healing and the study of technology through experimental archaeology. Papers try to answer some of Egyptology’s biggest questions - How did Tutankhamun die? How were the Pyramids built? How were mummies made? – along with less well-known puzzles.

Rather than address these areas separately, the volume adopts the so-called ‘Manchester method’ instigated by Rosalie David and attempts to integrate perspectives from both traditional Egyptology and scientific analytical techniques. Much of this research has never appeared in print before, particularly that resulting from the Manchester Egyptian Mummy Project, set up in the 1970s. The resulting overview illustrates how Egyptology has developed over the last 40 years, and how many of the same big questions still remain.

This book will be of use to researchers and students of archaeology or related disciplines with an interest in multidisciplinary approaches to understanding life and death in ancient Egypt and Sudan.