Search results

You are looking at 11 - 13 of 13 items for

  • Author: Kieran Keohane x
  • Refine by access: All content x
Clear All Modify Search
Abstract only
Omen of a post-republic: the demon child of neoliberalism
Kieran Keohane and Carmen Kuhling

The omen of the demon child as ideal-type subject associated with the divinity of the market and neoliberal culture has already been prognosticated by deSade as the Libertine 'isolist'. This demon child is the incarnation of the rough beast of neoliberalism. DeSade is precisely on the same page as Herbert Spencer, Adam Smith and neoliberalism: 'survival of the fittest'; 'you eat what you kill'; the 'savage god' of Yeats's 'Second Coming'; 'a monstrous ideal of abstract animal power'. Yeats was a pre-Holocaust fascist sympathizer who diagnosed the social pathologies of modern civilization very well and favoured a Platonic restoration of sober, self-disciplined aristocratic Guardians. The Kantian-Sadean principles embodied by Kurtz and Juliette are the very hallmarks of how the financial crisis is managed by the Troika and by their local Auxiliaries, those who oversee the city on behalf of the Guardians.

in The domestic, moral and political economies of post-Celtic Tiger Ireland
The tragedy (and comedy) of accelerated modernisation
Kieran Keohane and Carmen Kuhling

This chapter shows that the experience of modernity and modernisation in contemporary Ireland is illustrative of the end of history as interpreted by the Hegelian/Marxist dialectic, and its decomposition into eternal recurrence and stasis as interpreted by the Nietzschean/Weberian end of Irish history. Part of the tragedy of development in the magical/terrible Faustian world of contemporary Ireland is that the casualties of accelerated modernisation are swept away by a tide of events that the actors in the contemporary Irish tragedy have helped to set in motion. The Great Hunger is usually taken to refer to the Famine of the 1840s, but for Patrick Kavanagh, the famine is a scarcity of spirituality in the 'modern Ireland' of the 1940s. John Kenny and Pat Short say that their comedy is inspired by the forms of life they are familiar with in Ireland's 'in-between' towns.

in The end of Irish history?
Monsters of post-Celtic Tiger Ireland
Kieran Keohane and Carmen Kuhling

Kieran Keohane and Carmen Kuhling analyse the transformation that the Irish subject has undergone, and is still undergoing, in connection with the period popularly dubbed the Celtic Tiger. Looking at the history and literature of the monstrous, the chapter posits connections between Celtic Tiger and 19th century vampires, 20th century native gombeen men, to the 21st century zombie slaves that we have become, in thrall to foreign paymasters and senior bondholders. Through a series of original readings of contemporary events as recurrences, of aspects of our troubled history, this chapter identifies a profound mutation of the symbolic order and imaginative structure of Irish individual and collective identity, one whereby we lose a sense of ourselves as citizens of a democratic Republic and become again as serfs in a neo-Feudal colony within a global order of Total Capitalism. Keohane and Kuhling's discussion and argument are framed in terms of mythic history derived from Joyce and Yeats, using monstrous tropes and figures from Jonathan Swift, Bram Stoker, and Mary Shelley and from recent popular culture, all to contextualize the mutation of Irish identity into types of zombie slaves, with our souls possessed by bondholders. sent.

in From prosperity to austerity