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This chapter considers exile as being fundamental to the origins of Italian poetry through the lens of the twelth-century Sicilian Arab poet Ibn Hamdîs and how his nostalgia for Sicily resonates with the global affinities forged in Dante’s Commedia. How might our ideas of Italian literature and identity shift by considering the Arab poets of Sicily as part of the Italian canon? In similar fashion, how might we orient our reading of Dante through the perspective of migration? Aspects such as self-identification with the cultural other, experiments in multilingual poetry, and expressions of global connectivity emerge to give voice to a poet attuned with the medieval realities of migration and one whose vision is by no means to be relegated solely to the world beyond.