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Anke Bernau

John Lydgate’s double legend of the two British saints Albon and Amphibalus features three important strategies of Lydgate’s saintly poetics: the discourse of laureation, the employment of ‘colours’, and temporal shifts. In all three cases, Lydgate draws on his secular works and appropriates the literary features for the hagiographic context. The motif of the laurel, for instance, functions as a means of negotiating different actors and their deeds across time, while the use of colours is associated with continuity and the poet’s activity.

in Sanctity as literature in late medieval Britain

Sanctity as literature in late medieval Britain explores how sanctity and questions of literariness are intertwined across a range of medieval genres. “Sanctity” as a theme and concept figures as a prominent indicator of the developments in the period, in which authors began to challenge the predominant medieval dichotomy of either relying on the authority of previous authors when writing, or on experience. These developments are marked also by a rethinking of the intended and perceived effects of writings. Instead of looking for clues in religious practices in order to explain these changes, the literary practices themselves need to be scrutinised in detail, which provide evidence for a reinterpretation of both the writers’ and their topics’ traditional roles and purposes. The essays in the collection are based on a representative choice of texts from the fourteenth to the early sixteenth centuries, covering penitential literature, hagiographical compilations and individual legends as well as romance, debates, and mystical literature from medieval and early modern England, Scotland, Wales, and Ireland. For researchers and advanced students of medieval literature and culture, the collection offers new insights into one of the central concepts of the late medieval period by considering sanctity first and foremost from the perspective of its literariness and literary potential.