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This chapter discusses the concept of exhaustion in Beckett’s literary texts and plays. The course of the argument follows Gilles Deleuze’s essay on Beckett, but relates the concept of exhaustion to the history of science and media studies. Since the nineteenth century physiology and psychiatry have investigated the effects of exhaustion, which ultimately leads to the destruction of the subject. Deleuze argues that exhaustion may also bring an unforeseen possibility or the emergence of invention. Beckett’s notion of media helps to grasp the nexus between exhaustion and invention. Since the technological basis of a medium is constantly evolving and changing, there is no single entity, apparatus or essential technological feature that constitutes ‘theatre’, ‘film’ or ‘radio’. Beckett makes inventions by exhausting the possibilities that are intrinsic to a medium and by stripping it bare to its inherent dispositive.