Del Principe argues that a compelling historical and political vision of post-unification Italy lies beneath the preternatural façade of Ugo Tarchettis Fantastic Tales, and that the authors transgressive approach to social realism is a reflection of the vast, cultural transformations of the period. Del Principe proposes correlations between sexual and political realms surfacing in Tarchettis narrative as indicators of mutating class structure and emerging capitalism. An examination of spatial allegories engages a discussion of psychic and physical modes of hysteria and xenophobic reactions that stem from the nationalistic fervor of post-unification Italy.
I undertake a nonanthropocentric discussion of vampirism in Dracula, employing an EcoGothic approach to examine how the relation between the consumption of nonhuman flesh and blood reflects the evolving meaning of species, nation, and gender in nineteenth-century European society. I argue that flesh consumption plays an important role in the development of nutritional allegories and nonhuman vampirism. I show how Jonathan Harker‘s adherence, and the Counts resistance, to the dominant, meat-eating ideology destablise the carnal borderline between the species and how the distinctions between carnivorism and cannibalism trope the nonhuman and unhuman bodies as specular sites of death and horror.