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National identity and the spirit of subaltern vengeance in Nakata Hideo’s Ringu and Gore Verbinski’s The Ring
Linnie Blake

This chapter discusses Gore Verbinski's 2002 film The Ring, a remake of Nakata Hideo's Ringu, which was itself an adaptation of Suzuki Koji's 1991 novel The Ring. Both Ringu and The Ring are ideally positioned to explore the ideological function of models of national identity promulgated by the media in Japanese and US society internalised by members of each. These were often in direct contradiction of the realities of national history or contemporary social and cultural practices. Sasaki Sadako, as spirit of vengeance, asserts her own right to survive, and to reproduce, by becoming both mother and father to a new breed of infected individuals. Her meta-hybridity echoes in the book's inference that her father was not in fact human but a water spirit summoned by the real-life ascetic En no Ozunu.

in Monstrous adaptations