and judgement over the long hours or other commitments involved in undertaking a job. These logistical and social pressures render pursuing work opportunities particularly challenging for women refugees.Unsurprisingly, therefore, research in Jordan prior to the pandemic revealed that Syrian refugee women had a clear preference to home-based work, especially through the digital economy, which they believed may enable them to overcome existing barriers to work ( Hunt et al. , 2017 ). This
dynamics – processes of ‘wielding and yielding’ ( Villarreal, 1994 ) – were simultaneously emerging from below and operating from above. Notes 1 For an analysis of the different generations of studies on Rwanda, see Ingelaere (2012) . 2 Similar ‘technologies of truth’ and its relation to testimonial practices were previously analyzed with respect to the TRC-SA (see for example Buur, 2001 ; Wilson, 2001 : 33–61; Ross, 2003 ). 3 I extensively discuss research methodology, the nature of the fieldwork activities and the working of the gacaca
This article defends the view that Gothic Studies should encourage research on contemporary gothic youth cultures from a Cultural Studies point of view. This is justified on two grounds: research on these youth cultures is a unique chance to consider gothic as a living cultural practice and not just as textual analysis mostly disengaged from the present; on the other hand, these subcultures are currently under attack by the media and moral minorities, especially in the USA, and Gothic Studies could - maybe should - help correct this regrettable situation born of prejudice against, and ignorance about, Gothic itself. The article reviews the embarrassing position of the Gothic Studies researcher today as regards gothic youth cultures and calls for the reinforcement of the poor knowledge we have of the evolution of these cultures in the last 20 years.
This short essay draws on research undertaken by the curator of the Scottish Screen Archive on the few surviving films credited to Greens Film Service of Glasgow in the teens and twenties. The research revealed a dynamic family business, born out of the travelling cinematograph shows of the late nineteenth century, growing to assume a dominant role in the Scottish cinema trade in the silent era, across exhibition, distribution and production. One small part of a lost film history waiting for rediscovery – early cinema in Scotland.
Given the relative lack of attention to specific TV programmes and episodes in interviews with surviving blacklistees until recently, given the relative lack of availability of 1950s and 1960s TV shows on video, on DVD or even in archives, given the relative lack of complete or reliable information on the credits of many TV series and shows, and given the sheer number of episodes (closer to a thousand than to hundred) requiring research, attention and study, the difficulties facing those interested in researching the blacklistees and TV are all the more formidable. This article begins the task of listing blacklistee‘s television credits.
Written in French exile, the following text by Siegfried Kracauer from December 1936 outlines a research project that the German-Jewish intellectual undertook with funding from the Institute for Social Research. The work outlined here would be a study of totalitarian propaganda in Germany and Italy through sustained comparison with communist and democratic countries, especially the Soviet Union and the United States. Appearing in English translation for the first time, this document from Kracauer‘s estate is crucial for a full understanding of his career as a sociologist, cultural critic, film theorist and philosopher, demonstrating the global scope of his engagement with cinema, mass culture and modernity.
, germane to the issues surrounding situations of extreme violence, which recounts a research discussion entitled ‘Biafra, Humanitarian Intervention and History’ held in January 2020 in Manchester by the Humanitarian and Conflict Response Institute. The aim of the Paris conference was to present the investigative approaches used by social science researchers, humanitarian practitioners, human rights activists and journalists. This issue of the JHA shows that while these groups have different objectives and field practices, there are connections (and in some cases
Research into the governance of dead bodies, primarily focused on post-conflict contexts, has often focused on the aspects of the management of dead bodies that involve routinisation, bureaucratisation and order. Less attention has been paid to the governance of the dead in times of relative peace and, in particular, to the aspects of such work that are less bureaucratised and controlled. This article explores the governance of dead bodies in pandemic times – times which although extraordinary, put stress on ordinary systems in ways that are revealing of power and politics. Observations for this article come from over fifteen years of ethnographic research at a medical examiner’s office in Arizona, along with ten focused interviews in 2020 with medico-legal authorities and funeral directors specifically about the COVID-19 pandemic. The author argues that the pandemic revealed the ways in which the deathcare industry in the United States is an unregulated, decentralised and ambiguous space.
Through her own words, Mary Hamilton demonstrates the rich resources available for the study of an elite womans life during the latter part of the eighteenth-century and allows us to resurrect more fully the life of a member of an elite circle of women during this period. Her diaries reveal the many opportunities that she had to meet with a number of the significant figures of her day, and shed light on how her academic efforts were perceived by those around her. This article shows how her writings offer researchers an insight into eighteenth-century society as viewed and lived by a woman who was close not only to the centre of high society but also to the intellectual elite of the day. It considers how valuable a resource the diaries and papers are as a potential research tool not only for the study of women‘s history but as a rich resource for the period.
In his analysis of the evolution of sexuality in society in Making Sexual History, Jeffrey Weeks comments that, following a series of major challenges throughout the twentieth century (ranging from Freud‘s work to the challenges of feminism and queer politics), ‘sexuality becomes a source of meaning, of social and political placing, and of individual sense of self ’. This special issue of Gothic Studies intends to foster further research on the topic of queer sexuality. This is research which has already been underway for some time but it has not always been interdisciplinary in nature, as is the case for these five articles, in their discussion of theatre, cinema, and literature or literary conventions borrowed from Gothic novels.