, they have been under constant and targeted attack as part of the weaponisation strategy of the GoS ( Fouad et al. , 2017 ). During the peaceful uprising, anyone found to be assisting wounded demonstrators or activists was prosecuted, tortured and sometimes killed. In 2012 the GoS effectively criminalised medical neutrality through anti-terrorism legislation that allowed prosecution of those treating demonstrators injured by government forces ( Fouad et al. , 2017 ). Doctors working in government hospitals were forced to misfile the cause of death of bodies of
Dispelling Misconceptions about Sexual Violence against Men and Boys in
Conflict and Displacement
Heleen Touquet, Sarah Chynoweth, Sarah Martin, Chen Reis, Henri Myrttinen, Philipp Schulz, Lewis Turner, and David Duriesmith
’, in Satterthwaite ,
M. L. and
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15 – 35 .
Z. et al.
( 2018 ), Caring for Boys Affected by Sexual
The Politics of Information and Analysis in Food Security
Daniel Maxwell and Peter Hailey
some are more political – including direct
interference, minders, intimidation of field teams, limiting or prohibiting
access, creating real and imagined security obstacles and bureaucratic
These come from several sources: governments who do not want the depth of a
crisis to be exposed, donors who do not wish to investigate deeply the impact of
counter-terrorism restrictions or who expect to see ‘results’ from
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Staub , E. ( 2011 ), Overcoming Evil: Genocide, Violent Conflict and Terrorism
Gothic Terror(ism) and Post-Devolution Britain in Skyfall
The article examines the phenomenon of terrorism presented in Sam Mendes‘s film Skyfall (2012), with relation to Julia Kristeva‘s concept of the abject, developed further by Robert Miles in the context of nationalism and identity. While exploring the extraterritorial nature of terrorism, which in Skyfall breaches the borders of the symbolic order, threatening the integrity of the British nation-state represented by M, Bond, and MI6, the article also focuses on the relationship between the major characters, whose psychological tensions represent the country‘s haunting by the ghosts of colonialism, as Britain is forced to revisit its imperial past(s) and geographies at the fragile moment of post-devolutionary changes.
Hawthorne, Ligotti, and the Absent Center of the Nation-State
Donald L. Anderson
Although composed before 9/11, Nathaniel Hawthorne‘s My Kinsman, Major Molineux and Thomas Ligotti‘s The Shadow at the Bottom of the World are both prescient in their critique of the impulse of American communities following 9/11 to monumentalise and concretise the nation-state and in particular the remains at Ground Zero. In this essay I discuss Ground Zero as a suggestive trope for the illusiveness of the nation as an imagined community. These complementary Gothic short stories operate as allegory and offer a way of reading how patriotic communities cohered around what remained at Ground Zero and (re)produced it as a site of patriotic performance. A new Gothic trait in our age of terror(ism) is the anxiety over the absence of a stable centre that anchors national continuity. This article places these short stories in conversation with Benedict Anderson,,Étienne Balibar and other theorists who engage critiques of nation-building in order to draw out what is Gothic about the nation-state and to further substantiate how 9/11 revealed the nation-state as a principally Gothic phenomenon.