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Janice Valls- Russell

’; ‘Faith and doubt in Shakespeare’s Henry VI , Parts 1 and 2, and King John ’, Shakespeare Jahrbuch , 149 (2013), 73–87 (p. 82). Goodland, Female Mourning , discusses Constance’s passionate rhetoric from the perspective of Reformation prohibition of mourning rituals, pp. 119–33 (p. 133). 38 See

in Interweaving myths in Shakespeare and his contemporaries
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Anatomy of a metaphor
John M. Ganim

perspective, viewing medieval religion as a mixture of intolerance and superstition. The structure and politics of the Church and conflicts between Christianity and Islam in films about the crusades often form the background of medieval movies in general. But in many medieval noir films, personal faith and doubt and its testing are very much the central themes and also determine the progress of the plot and

in Medieval film
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Thinking with saints
Gareth Atkins

Faith and Doubt (New Haven: Yale University Press, 2008), pp. 19–40. 14 George Eliot, Middlemarch: A Study of Provincial Life, 4 vols (Edinburgh and London: William Blackwood and Sons, 1871–72), I: pp. v–vii; IV: p. 371. 15 Rowland E. Prothero, The Life and Correspondence of Arthur Penrhyn Stanley, 2 vols (London: John Murray, 1893), I: p. 116. 16 Philip C. Almond, The British Discovery of Buddhism (Cambridge: Cambridge University Press, 1988); Almond, Heretic and Hero: Muhammad and the Victorians (Wiesbaden: O. Harrassowitz, 1989); Clinton Bennett, Victorian

in Making and remaking saints in nineteenth-century Britain
The Innocent and Black Dogs
Dominic Head

reuniting of Leonard and Maria, seem to be concessions to filmic narrative: the dismemberment (necessarily) happens off camera, for example; and Maria engineers her relationship with Bob immediately after the killing of Otto, in order to save Leonard. See The Innocent (Island World, 1993), directed by John Schlesinger, starring Anthony Hopkins (Bob Glass), Isabella Rossellini (Maria) and Campbell Scott (Leonard). 15 Helen Whitney, ‘Faith and Doubt at Ground Zero’ (interview), Frontline (April 2002), available at www.pbs.org/wgbh/pages/frontline/shows/ faith

in Ian McEwan
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Boyhood, duty and war
Mary A. Conley

). 16 Richard Schweitzer, The Cross and the Trenches: Religious Faith and Doubt among British and American Great War Soldiers (Praeger: Westport, Conn., 2003); Daniel Todman, ‘ “Sans Peur et sans Reproche”: The Retirement, Death and Mourning of Sir Douglas Haig, 1918–1928’, Journal of Military History 67 (2003), 1083–1106; Allen J

in From Jack Tar to Union Jack
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Laura Schwartz

the most comprehensive discussion of evangelicalism, see D. Bebbington, Evangelicalism in Modern Britain (London: Unwin Hyman, 1989). For the Oxford Movement, see P B. Nockles, The Oxford Movement in Context (Cambridge: Cambridge University Press, 1994 ). For Broad Churchmen, see E. Jay, Faith and Doubt in Victorian Britain (Basingstoke & London: Macmillan Education, 1986 ), Chapter 3

in Infidel feminism