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The ideological bedrock of the postsocialist contemporary
Octavian Esanu
themselves with the symptoms of totalitarianism, one may also add a much simpler observation: their reaffirmation of new petit bourgeois attitudes and habits restated now officially through postsocialist contemporary art – the art of the new elites of the transition period. It is not only that the rhetoric of antipolitics, or the institutional structures developed under late socialism (art archives, art venues, dedicated and educated audiences, samizdat and tamizdat publications together with their readers) are all made