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Sian Barber

and Society 1930–1939 (London: Routledge and Kegan Paul, 1984); Charles Drazin, The Finest Years: British Cinema of the 1940s (London: I.B. Tauris, 2007); Robert Murphy, Realism and Tinsel: Cinema and Society in Britain 1939–48, 2nd edition (London: Routledge, 1992); Mark H. Glancy, When Hollywood Loved Britain: The Hollywood British Film, 1939–45 (Manchester: Manchester University Press, 1999). 3 Anthony Aldgate and Jeffrey Richards, Britain Can Take It: The British Cinema in the Second World War (Edinburgh: Edinburgh University Press, 1994); James Chapman, The

in Using film as a source
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‘Stand by, number one’
Andrew Roberts

( 1999 ), Best of British: Cinema and Society from 1930 to Present , London : I. B. Tauris . Anderson , Lindsay ( 1957 ), ‘ Get Out and Push! ’ Encounter , November, 14 – 22 . Armes , Roy ( 1978 ), A Critical History of British Cinema , London : Secker & Warburg . Ashby , Justine and Higson , Andrew (eds.) ( 2000 ), British Cinema Past & Present , London : Routledge . Babington , Bruce ( 2002 ), Launder & Gilliat: British Film Makers , Manchester : Manchester University Press . Baker , Peter

in Idols of the Odeons
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Hawling like a brooligan
Andrew Roberts

Contemporary Cinema 1945–1963 , London : Penguin Books . James , Clive ( 2017 ), Clive James on Television , London : Picador . Johnston , Keith M. ( 2012 ), ‘ A Riot of All the Colours in the Rainbow: Ealing Studios in Colour ’, in Duguid , Mark , Freeman , Lee , Johnston , Keith M. and Williams , Melanie (eds.) Ealing Revisited , London : BFI/Palgrave Macmillan . Landy , Marcia ( 1991 ), British Genres: Cinema and Society 1930–1960 , Princeton, NJ : Princeton University Press . Lejeune , C. A. ( 1958

in Idols of the Odeons
‘What’s the bleeding time?’
Andrew Roberts

. Kramer , Peter and Lovell , Alan ( 1999 ), Screen Acting , London : Routledge . Kynaston , David ( 2009 ), Family Britain 1951–1957 (Tales of a New Jerusalem) , London : Bloomsbury . Landy , Marcia ( 1991 ), British Genres: Cinema and Society 1930–1960 , Princeton, NJ : Princeton University Press . Lewis , Roger ( 2008 ), ‘ Gruff Justice ’, The Spectator , 26 November. Lewis , Roger ( 2011 ), What Am I Still Doing Here? My Life as Me , London : Coronet . Lewis , Roy and Maude , Angus

in Idols of the Odeons
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The ‘actor’s actor’?
Andrew Roberts

Brown ’, Sight & Sound , Summer, 33– 4 . Landy , Marcia ( 1991 ), British Genres: Cinema and Society 1930–1960 , Princeton, NJ : Princeton University Press . Lazar , David (ed.) ( 2003 ), Michael Powell Interviews , Jackson : University of Mississippi Press . Lovell , Alan ( 1961 ), ‘ No Love for Johnnie ’, New Left Review , March–April, 54 . MacKillop , Ian and Sinyard , Neil (eds.) ( 2003 ), British Cinema in the 1950s: A Celebration , Manchester : Manchester University Press . Macnab

in Idols of the Odeons
Screening Victoria
Steven Fielding

Institute, 2008 ), pp. 76–7, 276–8. 18 Smith, Presidents We Imagine , p. 9. 19 See Marcia Landy, British Genres. Cinema and Society, 1930–1960 (Princeton, NJ: Princeton University Press, 1991 ), pp. 53

in The British monarchy on screen
Arthur Seaton and the arc of flight
B. F. Taylor

: Classical Hollywood Cinema and Classical Narrative’, in Steve Neale and Murray Smith (eds), Contemporary Hollywood Cinema, London and New York, Routledge, 1998, pp. 178–190, p. 178. 11 Hill, Sex, Class and Realism, p. 177. 12 Jeffrey Richards and Anthony Aldgate, Best of British: Cinema and Society 1930–1970, Oxford, Basil Blackwell Publisher Limited, 1983, p. 6. 13 Ibid., p. 8. 14 Ibid., p. 14. 15 Ibid., p. 140. 16 Ibid., p. 141. 17 As Aldgate explains: ‘In fairness to Reisz it should be said that by [1985, when Alexander Walker’s National Heroes was first published] he

in The British New Wave
Open Access (free)
Serious Charge and film censorship
Tony Aldgate

Press, 1995). I have also written, with Jeffrey Richards, Best of British: Cinema and Society from 1930 to the Present (I.B. Tauris, 2nd edn, 1999) and Britain Can Take It: The British Cinema in the Second World War (Edinburgh University Press, 2nd edn, 1995). Tony Aldgate

in British cinema of the 1950s
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Richard Farmer

Jeffrey Richards, The Age of the Dream Palace: Cinema and Society in Britain, 1930–1939 (London: Routledge and Kegan Paul, 1984).

in Cinemas and cinemagoing in wartime Britain, 1939–45
Brian Mcfarlane

Gifford, The British Film Catalogue 1895–1970 (Newton Abbot, Devon, David & Charles), 1973, and David Quinlan, British Sound Films: The Studio Years 1928–1959 (London, B. T. Batsford), 1984. 28 Marcia Landy, British Genres: Cinema and Society 1930–1960 (Princeton, Princeton University Press), 1991 .

in Lance Comfort