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Andy Birtwistle

order imposed by morphological figures such as the refrain. Applied to a consideration of audiovisuality, the concepts of territorialisation and deterritorialisation provide a means to consider the ways in which the relationship between radical potential and containment plays through the cartoon; that is, how the notion of territorialisation engages with a micropolitics of audiovisuality. In order to explore the issues opened

in Cinesonica
Fergus Daly
Garin Dowd

utter more than a few stuttering words on his television appearance. In Les Amants , the appearance of the poster featuring Michèle puts an end to the fluid phase of her relationship with Alex, who responds characteristically by tipping over too far into deterritorialisation in a display of abject nihilism, setting fire to the bill poster. There, as in Pola X, naming and celebrity are on the side of thanatos. For the Cahiers

in Leos Carax
Digitally re-narrativising collaborative authorship
Steven Rawle

Grant talks about the deterritorialisation of auteurism in new communities, the DVD and Blu-​ray artefact specifically resituates these discursive processes within the spaces of the disc, the home and the interactive viewing –​the film does not have to be watched alone. Some releases even allow the viewer to break the film 200 200 Partners in suspense up with featurettes that place those paratexts within the text itself, supplementing historical information, production trivia, but with a continued placement of the film’s author. In ‘Auteur Machines? Auteurism and

in Partners in suspense