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Jews in Portsmouth during the long eighteenth century
Tony Kushner

, Annals of Portsmouth (London: Hamilton, Adams, 1880), pp. 65–7. 66 Hampshire Chronicle , 28 June 1773. 67 Bryan Cheyette, Constructions of ‘the Jew’ in English Literature and Society: Racial Representations, 1875–1945 (Cambridge: Cambridge University Press, 1993), p. 12. 68 Roxann Wheeler, The Complexion of Race: Categories of Difference in Eighteenth-Century British Culture (Philadelphia: University of Pennysylvania Press, 2000), pp. 300–1. 69 Roth, ‘The

in Anglo-Jewry since 1066
Ulrike Ehret

the Birmingham Social Credit Group at Queen’s College, Birmingham, 8 November 1933. CI, Notes and Articles by CF O’Brian Donaghue. For G.K. Chesterton nationality and ‘Englishness’ was bound to one place. His quasi-religious definition of nationality also meant that Jews could never be English. Bryan Cheyette, Constructions of ‘the Jew’ in English Literature and Society. Racial Representations 1875–1945, Cambridge, 1993, pp. 184, 203. At the time, G.K. Chesterton was president of the League, part of the executive committee were Hilaire Belloc, W. Blackie, Alan Bland

in Church, nation and race
Open Access (free)
Philip Roth, antisemitism and the Holocaust
David Brauner

2015a). 29 However, it also underpins J and appears, implicitly, in the form of one of the books that Esme gives Ailinn to educate her, albeit obliquely, about Jewish history: ‘It was her forbears’ austerity of conscience, according to one writer, that had always troubled humanity and explained the hostility they encountered wherever they went . . . [t]hey set too high a standard’ ( Jacobson 2014a : 312). There is also perhaps an echo of Bryan Cheyette’s thesis in Constructions of ‘The Jew’ in English Literature and Society: Racial Representations, 1875

in Howard Jacobson
Darrell M. Newton

in that it positioned any attempts to rectify previous disparities as insincere. As the research indicates, the BBC had been involved in the recruitment of Black writers long before it was popular. The notion that Channel 4 did comedies merely because they were funny does not justify racist depictions or shallow White production of West Indian imagery. His successor was Yasmine Anwar, who took over his post in October of 1997, having worked previously at the BBC as an Executive Producer of Cultural Programming. She addressed issues of racial representations and

in Paving the empire road