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Rakhee Balaram
participated in and/or organized Féminie-Dialogue and the UFPS, the political interest translated into more stimulating and/or additional exhibitions that broke with any institutional role. At the same time the output of filmmakers – notably Carole Roussopoulos's various militant documentaries in the 1970s and Coline Serreau's Mais qu’est-ce qu’elles veulent (1975–1978) and Agnès Varda's L’Une chante, l’autre pas (1976) – can be seen as actively reflecting the goals of the MLF while simultaneously stimulating the movement, as seen in the film reviews published in