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Jonathan Rayner

in death (even in celebrations of nationhood such as Gallipoli and Breaker Morant ) evince continuities of masculinity and nationality within the output of the Australian film industry: The teenage passions that permeate the American cinema, and often end in a triumphant union of the young couple despite parental and peer pressure, in Australian films … end in the disintegration of the couple … Passion is often seen as obsessive and destructive, as in Monkey Grip (Ken Cameron

in Contemporary Australian cinema