Giovanna Maina, Federico Zecca, Danielle Hipkins, and Catherine O’Rawe
This article offers a reconstruction of the birth of Asia Argento’s star image, with specific reference to the Italian context. Through an analysis of the media discourses that circulated around the actress in the early phase of her career (from the end of the 1980s to the 2000s), we can trace the evolution of her star image from enfant prodige of Italian cinema, and youth icon, to that of the ‘anti-star’ who strongly divides public opinion, owing to her unruliness on and off-screen. The article concludes that her pre-existing association with sexual transgression inflected how her behaviour with Harvey Weinstein and Jimmy Bennett was interpreted in the Italian public sphere.
.S. and India are now partners, along with many other
U.S. allies and partners, in managing the consequences of China’s rise in Asia. This
does appear to outweigh or at least mute concerns about nuclear stability in the region.
Thus, cooperation between the U.S. and India on nuclear stability in the
region remains fairly low, and there is little prospect that it will improve dramatically in
the near future. There is some shared anxiety about the problem of “loose
nukes,” specifically as it relates to Pakistan and its use
Regional strategic dilemmas and U.S. policy approaches toward
participated in the above mechanisms. 38
To attenuate the intensity of the South Asian nuclear and missile rivalry, a greater Chinese
commitment to confidence-building and nuclear risk-reduction initiatives is needed.
Pre-notification of missile flight-tests is one useful way to proceed. This
forms a viable means to draw China into the nuclear risk-reduction measures that are now
increasingly needed in this global intensifying nuclear competition. Moreover, U.S.
partnership with India in proposing and developing this
specificity. From this perspective, the studio’s opening of the Asian
market (sanctioned in April 2002 through the creation of Europa Corp.
Japan, which linked Europa with the Japanese film distribution company
Asmik-Ace) offers a way out of the inextricable set of conflicting
interests that bind European cinema (and particularly France) to
Hollywood, by creating new forms of partnership within the international
As India has risen economically and militarily in recent years, its political clout on the global stage has also seen a commensurate increase. From the peripheries of international affairs, India is now at the centre of major power politics. It is viewed as a major balancer in the Asia-Pacific, a major democracy that can be a major ally of the West in countering China even as India continues to challenge the West on a whole range of issues – non-proliferation, global trade and climate change. Indian foreign policy was driven by a sense of idealism since its independence in 1947. India viewed global norms as important as it kept a leash on the interests of great powers and gave New Delhi “strategic autonomy” to pursue its interests. But as India itself has emerged as a major global power, its foreign policy has moved towards greater “strategic realism.” This book is an overview of Indian foreign policy as it has evolved in recent times. The focus of the book is on the 21st century with historical context provided as appropriate. It will be an introductory book on Indian foreign policy and is not intended to be a detailed examination of any of its particular aspects. It examines India’s relationships with major powers, with its neighbours and other regions, as well as India’s stand on major global issues. The central argument of the book is that with a gradual accretion in its powers, India has become more aggressive in the pursuit of its interests, thereby emerging as an important player in the shaping of the global order in the new millennium.
Colonising Europe in Bram Stoker‘s The Lady of the Shroud
Postcolonial criticism is preoccupied for the most part with the implications and the cultural consequences of European interference in a vaguely delineated territory which could best be termed `the East‘. This statement, which might justifiably be regarded as being simplistic, provocative or even mischievous, must however be acknowledged as having some currency as a criticism of an occluded though still discernible impasse within an otherwise vibrant and progressive critical discourse. The postcolonial debate is, to borrow a phrase from Gerry Smyth, both characterised and inhibited by a `violent, dualistic logic‘ which perpetuates an ancient, exclusive dichotomy between the West and its singular Other. In practical terms, this enforces a critical discourse which opposes the cultural and textual power of the West through the textuality of Africa, Asia and the Far East rather than and at the expense of the equally colonised terrains of the Americas and Australasia. This is not to say that critical writings on these latter theatres of Empire do not exist, but rather to suggest that they are somehow less valued in a critical discourse which at times appears,to be confused by the potentially more complex diametrics implied in the existence of a North and a South.
Four Decisive Challenges Confronting Humanitarian Innovation
Gerard Finnigan and Otto Farkas
million people remained
in extreme poverty (less than US$1.90 per day) in 2015, while nearly one in
every two people in the world (46 per cent) were trying to live on less than
US$5.70 per day ( World Bank,
2018 : 69). Global hunger, once in decline, has increased over the past three
years, reaching a level in excess of 821 million people ( WHO, 2018a ), while Asia had the highest absolute number
(515 million people), sub-Saharan Africa had the highest prevalence, with 23