appears humane. Technology then is not anti-human. It is the only thing that might save us. A point made by the scientist Richard Gatling, who, trying to justify his invention of the gun, noted: ‘If war was made more terrible, it would have a tendency to keep peace among the nations of the earth.’ The same redemptive narrative would be promulgated by those responsible for the atrocious nuclear assault on Japan, in 1945. The tragedy, however, is that the more we seek to regulate or civilise violence by giving ourselves over to the technological account of human
.acordinternational.org/silo/files/conflict-and-gender-study--south-sudan.pdf (accessed 17 June 2021 ). Hutchinson , S. E. ( 1996 ), Nuer Dilemmas: Coping with Money, War, and the State ( Berkeley, CA : University of California Press ). JICA (Japan International Cooperation Agency) ( 2017 ), Country Gender Profile Republic of South Sudan Final Report , www.jica.go.jp/english/our_work/thematic_issues/gender/background/c8h0vm0000anjqj6-att/south_sudan_2017.pdf (accessed 22 August 2021 ). Jok , J. M. ( 1999 ), ‘ Militarism, Gender and Reproductive Suffering: The Case of Abortion in Western Dinka
Technologies in Disaster Settings: The Case of the 2011 Great East Japan Earthquake ’, in O’Hagan , M. and Zhang , Q. (eds), Conflict and Communication: A Changing Asia in a Globalising World ( New York : Nova Science Publishers ), 169 – 94 . Cadwell , P
Since the 1970s, many academics and teachers have been taking the study of film out of Film Studies by producing curricula and critical literature hostile to notions of artistic endeavour and aesthetic value. Montage simply is the joining together of different elements of film in a variety of ways, between shots, within them, between sequences, within these. This book offers specific experiences of montage. Though there are clusters of experiences and practices that films share in common, each film is specific to itself. The book is led by that specificity towards these clusters and away from them then back to the films once more. Eadwaerd Muybridge's studies of human and animal locomotion consisted of photographed plates that reproduced bodies in movement in a sequence of still photographs he published in 1887. These reproductions, though sequential, were composed of intermittent, discontinuous immobile units, in effect, a linked series of snapshots. The game in
This book begins with a recapitulation of the main themes of Strange's earlier Casino Capitalism, stressing the major policy decisions and non-decisions that, in her opinion, had first allowed financial markets seemingly to outgrow governmental control. It adds a number of newer systemic developments that had emerged in the years after Casino Capitalism was published. Following this opening tour d'horizon, the book evaluates many of these developments in greater detail, covering the revolution in information technology interstate politics, contagion risks, global debt, money laundering and the roles of both national governments and multilateral agencies such as the International Monetary Fund and Bank for International Settlements. Great emphasis is placed on the relationship between the United States and Japan, the 'US-Japan axis', which is considered crucial to the effective management of financial crises. All the strings of Strange's discussion are pulled together where she turns her eyes to the future. Most financial research at the time seemed biased toward midlevel theory building, focusing primarily on key relationships within a broader structure whose characteristics were assumed, normally, to be given and stable. The book discusses hypotheses about the most important changes that have affected the global financial system and the international political economy. Key decisions, or non-decisions in the case of failures to act when positive action would have been possible, are also discussed.
Legacies of colonial empire are present in the demarcations of state borders, in architecture, on the pedestals of monuments, in books, and in other forms. Heroic men have not been forgotten but at the same time erstwhile insurgents rebelling against the colonial order are now celebrated as freedom fighters. Even commodities of daily life, such as coffee or rubber, bear the deep imprint of their colonial histories. This book presents imperial history as a history of interwoven, overlapping, partly contradictory memories in which non-European outlooks are considered on a more equal footing, alongside the recollections of former colonial masters. These include imperial architecture in nineteenth-century Algeria, the Koregaon obelisk in India, the Hungarian monument commemorating the thirteen martyrs of Arad, and Japan's twentieth-century post-war repositories of memories of war, empire, suffering and heroism. The heroes and villains of the imperial era include the Dutch colonial governor Jan Pietersz Coen; Robert Clive, the victor of Plassey; and the explorer and missionary David Livingstone. Other manifestations of memory include Imam Shamil who resisted the troops of Tsarist Russia. The book looks at the fragility and precariousness of repositories of imperial memory. It traces the cycles of obliviousness and remembrance, of suppression and political instrumentalisation that have accompanied the history of Mau Mau uprising in Kenya. The history of Berlin's Botanical Garden is intimately intertwined with Germany's colonial endeavours but this important aspect of the institution's history has remained all but suppressed.
On 14 August 1913, one of the first press reports about tango in Japan appeared in the morning edition of the Asahi Shimbun newspaper. Entitled ‘The Euro-American Scandalous New Dance: Towards the Collapse of Public Order’, the article noted that: [a] transitional change has happened in the European and North American fashionable circles that are always restless with anything new and strange. The different styles of dance that started to become popular four or five years
How do countries memorialise their defeat? More specifically: how did imperial Japan deal with the cultural legacy the war bequeathed to the nation in terms of shrines, monumental celebrations of martial victory and a myriad architectural structures that could not be simply erased overnight like words in textbooks? The shift in post-war Japan’s
8 A distinctive nation: vaccine policy and production in Japan Julia Yongue Introduction Public health authorities in every nation have devised distinctive policies to deal with the prevention and spread of infectious diseases, what Jeffrey Baker has referred to as a national ‘style’ of vaccination. 1 While Japan's climate and geography as an island nation in the Far
As the only country to have been subjected to a nuclear attack, Japan’s relationship with nuclear weapons is complicated. The anti-nuclear norm is deeply embedded in Japanese society, but Japan’s alliance with the US is characterised by consistent cooperation on nuclear weapons. The main focus of this cooperation today is extended nuclear deterrence, but for many decades