Gaspard Bouttats’s Collage Portraits for Prudencio de Sandoval’s Historia de la vida y hechos del Emperador Carlos V in the Whitworth Collection
This article is about how one approaches images that are both disjunctive and disjointed. It studies a set of nineteen images by the Flemish printmaker Gaspard Bouttats, focusing on four specific examples. The nineteen prints are now in the Whitworth Gallery but come without any provenance beyond the signature of their maker. Hitherto, they have not been studied in detail, but were in fact made for a book, Prudencio de Sandoval’s Historia de la vida y hechos del Emperador Carlos V, published in Antwerp in 1681 by Hieronymus Verdussen III. However, the prints now take the form of a set of loose sheets. Accordingly, the core argument rests on the fact that it is not helpful to study Bouttats’s prints in the context of de Sandoval’s book because this fails to account properly for their composite nature, their current state and their virtually limitless potential for circulation. The main contention is that such prints are best understood as collages. Therefore, they are viewed here through the lens of emerging scholarly literature on medieval and early modern texts and images that also fall into this category.
This book brings together essays on the burgeoning array of local antiquarian
practices that developed across Europe in the early modern era (c. 1400–1700).
Adopting an interdisciplinary and comparative method it investigates how
individuals, communities and regions invented their own ancient pasts according
to the concerns they faced in the present. A wide range of ‘antiquities’ – real
or fictive, Roman or pre-Roman, unintentionally confused or deliberately forged
– emerged through archaeological investigations, new works of art and
architecture, collections, history-writing and literature. This book is the
first to explore the concept of local concepts of antiquity across Europe in a
period that has been defined as a uniform ‘Renaissance’. Contributions take a
new novel approach to the revival of the antique in different parts of Italy and
also extend to other, less widely studied antiquarian traditions in France, the
Netherlands, Spain, Portugal, Britain and Poland. They examine how ruins,
inscriptions and literary works were used to provide evidence of a particular
idea of local origins, rewrite history or vaunt civic pride. They consider
municipal antiquities collections in southern Italy and southern France, the
antiquarian response to the pagan, Christian and Islamic past on the Iberian
peninsula, and Netherlandish interest in megalithic ruins thought to be traces
of a prehistoric race of giants. This interdisciplinary book is of interest for
students and scholars of early modern art history, architectural history,
literary studies and history, as well as classics and the reception of
Service to others was integral to medieval and early modern European culture. It played a prominent role in the Christian world view. People tend to think of state service as the typical male form of work. However, this notion does not do justice to the early history of states and their servants, and it obscures the role of women and gender entirely. Teasing out these entanglements, this book shows how early modern state formation was subsidized by ordinary people's work and how, the then changing relationship between state authorities and families shaped the understanding of work and gender. It introduces the people, the period, the urban environments and the state administration under consideration. The book then analyses the role of violence and hostility in state servants' working lives and the expectations of servants to behave in certain ways. It demonstrates the vital role of small-scale market relations and of cooperation and mutual help among women. The book also analyses the relationship among lower state servants' families, discussing how social control and contact were parts of daily life and how society was knit together through these many practices. It discusses why early modern state formation created more opportunities for men than for women, when another outcome seems equally possible. The history of state formation throws new light on how different forms of service for others were understood and gendered over time, while people's everyday activities elucidate the mechanisms by which states were formed.
Cathy Shrank’s essay considers the impact of citing scripture in
fifteenth-century English morality drama. She studies its evolution from a
genre that focuses on the psychomachia of the individual human soul to one
that maps a struggle for the soul of the nation. Shrank explores what
happens to biblical quotations – and the language in which they are cited –
and how they are used to establish the ethos of characters in performance
after the Reformation.
This collection of essays is set up to explore the dynamics of local/national political culture in seventeenth-century Britain, with particular reference to political communication. It examines the degree to which connections were forged between politics in London, Whitehall and Westminster, and politics in the localities, and the patterns and processes that can be recovered. The fundamental goal is to foster a dialogue between two prominent strands within recent historiography, and between the work of social and political historians of the early modern period. Chapters by leading historians of Stuart Britain examine how the state worked to communicate with its people and how local communities, often far from the metropole, opened their own lines of communication with the centre. The volume then is not meant to be an exhaustive study of all forms of political communication but it nevertheless highlights a variety of ways this agenda can be addressed. At present there is ongoing work on subscriptional culture across the nation from petitioning to Protestation, loyal addresses, lobbying and litigation to name but a few. It is hoped that this volume will provide a reminder of the gains to be made by placing political communication at the heart of both social and political history and to provide an impetus for further scholarship.
Between 1598 and 1800, an estimated 3, 271 Catholic women left England to enter convents on the Continent. This study focuses more particularly upon those who became Benedictines in the seventeenth century, choosing exile in order to pursue their vocation for an enclosed life. Through the study of a wide variety of original manuscripts, including chronicles, death notices, clerical instructions, texts of spiritual guidance, but also the nuns’ own collections of notes, this book highlights the tensions between the contemplative ideal and the nuns’ personal experiences. Its first four chapters adopt a traditional historical approach to illustrate the tensions between theory and practice in the ideal of being dead to the world. They offer a prosopographical study of Benedictine convents in exile, and show how those houses were both cut-off and enclosed yet very much in touch with the religious and political developments at home. The next fur chapters propose a different point of entry into the history of nuns, with a study of emotions and the senses in the cloister, delving into the textual analysis of the nuns’ personal and communal documents to explore aspect of a lived spirituality, when the body, which so often hindered the spirit, at times enabled spiritual experience.
It is surprising, at this point in the story of the rich and strange rediscovery of a text so important to French and English literary and social history, that no collection of scholarly essays related to Mandeville's Travels yet exists in English or French. This book is a collection of essays by scholars in England and France, who produce a complex and sometimes contradictory view of Mandeville's book as an important object of early modern attention, as well as a feature of early modern literary context. The chapters range in emphasis from textual and bibliographic studies of Mandeville's late medieval and early modern Nachleben to studies of 'Mandevillian ideologies', to readings of romances and especially theatrical productions, illuminated by understandings of the new life in print of the Travels and its excerpted account of the Levant. Part I of the book makes clear that there were profound changes in motives for publication, anthologisation and readerly reception of the text(s) from the time of the incunabula, through its use by explorers Columbus, Frobisher and Ralegh, to its appearance as a children's book in the Enlightenment. These changes underscore alterations of economies and geographical experience in the mostly post-medieval 'Age of Discovery'. Part II is on Mandevillian ideologies and examines the Nachleben of the Travels through a historical discourse on the Turks and Islam in early modern England, development and geography of scripture. Part III is on Mandevillian and focuses on the drama of the newly invented medium of the commercial theatre.
This book provides a complete reappraisal of Welsh medical history in the early modern period. It investigates some of the factors affecting the types and spread of disease in Wales. Studies of disease and the body in popular cultural sources, such as poetry and vernacular verse, contribute to a wider assessment of a 'Welsh' bodily concept. The book explores the importance of geography and regional variation in affecting the sickness experience. It then examines the pathways through which medical information travelled in Wales, through detailed analyses of both oral and literate cultures in early modern Wales. The book also investigates medical material culture within the home in early modern Wales. It further analyses the 'sick role' and the ways in which sufferers both experienced and described their symptoms, foregrounding the growing impact of literacy and letters in sickness self-fashioning. The book looks at the availability of medical care in the early modern community, arguing that sickness served to create a temporary medical family, who provided a comprehensive structure of support from visiting to the provision of physical care. Finally, it argues that Welsh practitioner's desire to adopt English medical nomenclature points to a growing wish to be seen as 'legitimate' practitioners, a view backed up by the increasing numbers of medical licences granted to Welsh physicians.
This collection of essays offers a major reassessment of the meaning and significance of emotional experience in the work of Shakespeare and his contemporaries. Recent scholarship on early modern emotion has relied on a medical-historical approach, resulting in a picture of emotional experience that stresses the dominance of the material, humoral body. The Renaissance of Emotion seeks to redress this balance by examining the ways in which early modern texts explore emotional experience from perspectives other than humoral medicine. The chapters in the book seek to demonstrate how open, creative and agency-ridden the experience and interpretation of emotion could be. Taken individually, the chapters offer much-needed investigations into previously overlooked areas of emotional experience and signification; taken together, they offer a thorough re-evaluation of the cultural priorities and phenomenological principles that shaped the understanding of the emotive self in the early modern period. The Renaissance of Emotion will be of particular interest to students and scholars of Shakespeare and Renaissance literature, the history of emotion, theatre and cultural history, and the history of ideas.
This book explores a range of literary and theatrical forms as means of mediating religious conflict in early modern England. It deals with the specific ways available to mediate religious conflict, precisely because faith mattered more than many other social paradigms. The first part explores the ways in which specific religious rituals and related cultural practices were taken up by literary texts. In a compelling rereading of the final act of 'The Merchant of Venice', the book investigates the devotional differences informing early modern observances of Easter. Subsequently, it explores the ways in which Christmas provided a confessional bridge uniting different religious constituencies. Goodnight ballads were not only commercially successful pieces of public entertainment but also effective forms of predominantly Protestant religious persuasion. The book's consideration of Elizabethan romance links the literary form to the sacrament of the Eucharist, and argues that the Eucharist debate had an impact on Elizabethan romances. The second part 'Negotiating confessional conflict' provides a rereading of When You See Me You Know Me, exposing the processes of religious reform as an on-going means of mediating the new normality of confessional plurality. It examines the potential of the tragic form by a reading of the play The White Devil, and discusses the ideological fault line in the views of witchcraft. The book also shows that Henry V anticipates later sermons of John Donne that served to promote 'an interrogative conscience'.