Film Studies is a refereed journal that approaches cinema and the moving image from within the fields of critical, conceptual and historical scholarship. The aim is to provide a forum for the interdisciplinary, intercultural and intermedial study of film by publishing innovative research of the highest quality. Contributions from diverse perspectives that are formed by the crossing of institutional and national boundaries are encouraged.
Introduction This chapter describes an experiment in pragmatic social research that took place in east London, UK, lasting for 14 months from January 2015. The experiment, called the ‘E14 expedition’ after the postcode covering the area of Poplar and the Isle of Dogs, involved recruiting volunteers who were interested in joining a new community initiative to foster local relationships and identify shared interests and issues around which to campaign. Conducted in two phases, the first focused on thinking about the local community and its history, and the
The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections.
The official journal of the International Gothic Association considers the field of Gothic studies from the eighteenth century to the present day. The aim of Gothic Studies is not merely to open a forum for dialogue and cultural criticism, but to provide a specialist journal for scholars working in a field which is today taught or researched in almost all academic establishments. Gothic Studies invites contributions from scholars working within any period of the Gothic; interdisciplinary scholarship is especially welcome, as are readings in the media and beyond the written word.
eight William Parsons and the Irish nineteenth-century tradition of independent astronomical research Allan Chapman Independent astronomical research t was a simple fact of life in Ireland and elsewhere in Britain in the nineteenth century that central government did not fund fundamental scientific research. All that it did fund was science which might conduce to the more efficient running of the country, the navy, or the wider Empire. And it was the Royal Observatory, Greenwich, that was the base for ‘official’ astronomy, then under the direction, from 1835 to
Introduction Artist–academic collaborations are becoming increasingly popular in socially engaged research. Often, this comes from a drive to ‘have impact’ outside of academia, as creative pieces are often seen as more engaging and accessible for non-specialised audiences. The impact on collaborators (both on the collaborating ‘researchers’ and ‘creatives’) also comes into play here, as interdisciplinary work could be a form of re-thinking how we
The Journal of Humanitarian Affairs is an exciting, new open access journal
hosted jointly by The Humanitarian Affairs Team at Save the Children UK, and
Centre de Réflexion sur l’Action et les Savoirs Humanitaires MSF (Paris) and the
Humanitarian and Conflict Response Institute at the University of Manchester. It
will contribute to current thinking around humanitarian governance, policy and
practice with academic rigour and political courage. The journal will challenge
contributors and readers to think critically about humanitarian issues that are
often approached from reductionist assumptions about what experience and
evidence mean. It will cover contemporary, historical, methodological and
applied subject matters and will bring together studies, debates and literature
reviews. The journal will engage with these through diverse online content,
including peer reviewed articles, expert interviews, policy analyses, literature
reviews and ‘spotlight’ features.
Our rationale can be summed up as follows: the sector is growing and is facing severe ethical and practical challenges. The Journal of Humanitarian Affairs will provide a space for serious and inter-disciplinary academic and practitioner exchanges on pressing issues of international interest.
The journal aims to be a home and platform for leading thinkers on humanitarian affairs, a place where ideas are floated, controversies are aired and new research is published and scrutinised. Areas in which submissions will be considered include humanitarian financing, migrations and responses, the history of humanitarian aid, failed humanitarian interventions, media representations of humanitarianism, the changing landscape of humanitarianism, the response of states to foreign interventions and critical debates on concepts such as resilience or security.
Over the course of a scholarly career, the nature and the quality of interaction with those who share the same field of research is a thorny and important question. To my mind, my two main rivals (or partners) in the field have always been exemplary. Why so? Because, in our loneliness as scholars, we survive only inasmuch as we manage to preserve the reality—or the fiction—of a certain originality. My “distinguished colleagues” have, to varying degrees, always had the elegance to produce substantially different analyses to my own in our
Carolingian fortifications have been a neglected subject in French research for a long time: archaeologists have focused on both Roman walls and medieval castles and, with the exception of two chapters devoted to the early Middle Ages in Gabriel Fournier's innovative work, 1 the centuries before the year 1000 are almost entirely absent from any comprehensive study on medieval fortification published to this day. This situation is not only the result of the scarcity of information but also of a