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New approaches and perspectives
Editor: Brian Lewis

This book demonstrates a fruitful cross-fertilisation of ideas between British queer history and art history. It engages with self-identified lesbians and with another highly important source for queer history: oral history. The book highlights the international dimension of what to date has been told as a classic British tale of homosexual law reform and also illuminates the choices made and constraints imposed at the national level. It embarks on a queer critical history, arguing for the centrality, in John Everett Millais's life-writing, of the strange-to-us category of unconventionality. The book aims to expose the queer implications of celebrity gossip writing. It offers a historical analysis of the link between homosexual men and gossip by examining the origins of the gossip column in the British tabloid press in the three decades after 1910. The book provides an overview of the emergence and consolidation of a number of new discourses of homosexuality as a social practice in postwar Britain. It explores a British variant on homophile internationalism before and immediately after the 1967 Sexual Offences Act by mapping Grey's cross-border connections while noting strain against transnational solidarity. The book focuses on evidence collected by the 1977 Committee on Obscenity and Film Censorship to illustrate how gay men conceptualised the place of pornography in their lives and its role in the broader struggle for the freedom.

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Ralph Hotere and ‘New Commonwealth Internationalism’
Damian Skinner

on. 47 Hotere exists on the edges of this moment in British art history, and, as this chapter argues, placing him in this context makes sense of dimensions of his practice that otherwise remain invisible and inexplicable if he is defined only as a New Zealand artist. And yet, the presence of other settler New Zealand artists in this milieu enable us to see something distinctive

in Cultures of decolonisation